Showing posts with label Carolyne Mas. Show all posts
Showing posts with label Carolyne Mas. Show all posts

Thursday, February 1, 2024

CAROLYNE MAS: In The Rain

Our most recent compilation CD This Is Rock 'n' Roll Radio, Volume 5 was released in 2022.  The CD is available HERE, and you can read the collection's regular liner notes HERE  and see the individual track credits HERE. I had originally intended to put together a lengthy set of supplemental liner notes, as I had done for This Is Rock 'n' Roll Radio, Volume 4 in 2017. Never quite got to it, but I did complete this entry for one of its tracks, the lovely "In The Rain" by Carolyne Mas.

This radio show, my writing, and the consequential networking of social media have brought me into contact with so many artists I've admired for so many years. I often close my eyes and wish I could go back decades and tell my younger, flailing self, HEY! Don't do that! Wait--wrong retro greeting. I'd also want to tell clueless, early twenty-something me that he/I would someday get to communicate back and forth with members of the Rubinoosthe Pandorasthe Beatthe RecordsNikki and the Corvettesthe Recordsthe Smithereens, the PlimsoulsTHE COWSILLS! You'd interview Joan Jett and Cyril Jordan and the Ramones. Hell, you'd briefly be friends on something called Facebook with one of the Runaways (not Jett), and you'd break off contact with her!

(Not that she'd notice, sure, but that's beside the point.)

The great Carolyne Mas is one of those performers, someone I heard on record and saw on MTV, and now someone somehow in my circle of contacts. Carolyne's 1979 track "Quote Goodbye Quote" remains a Fave Rave, but my current Top O' The Mas has gotta be this lesser-known track "In The Rain."

Credit singer-songwriter Dean Landew with the finder's designation here. Dean has himself been a frequent fixture on our playlists, and he suggested Carolyne's "In The Rain" for airplay. We weren't familiar with the song, which only appeared on the (now out of print) Carolyne Mas compilation Beyond Mercury. Dean sent us the track, we were immediately smitten with it, and we started playing "In The Rain" with TIRnRR # 1001 in 2019. Thanks, Dean!

We found ourselves in direct contact with Carolyne not long after that. She's been so nice to us, and she granted us use of "In The Rain" for this compilation. And with that, This Is Rock 'n' Roll Radio performs the public service of returning this fabulous, fabulous track to retail. You're welcome, people! Just part of the job here. Just part of the job.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, October 4, 2022

10 SONGS: 10/4/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs appears a little bit earlier than its usual Thursday berth, and it draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1149.

THE COWSILLS: Rhythm Of The World

Magnificent. The title tune (and first single) from the the Cowsills' fab new album Rhythm Of The World serves as an engaging intro to this week's radio record party. This is only the second time we've ever been able to play a new Cowsills track on TIRnRR--the first was their 2019 cover of "Won't You Be My Neighbor"--and it's the first time we've opened a show with minty-fresh Cowsills. One hopes it won't be the last.

And one suspects it won't be the last time. The new album is very, very good, a potent reminder of the Cowsills' talent, prowess, and panache. It's not quite the equal of 1998's Global--my favorite album of the '90s--but it's pretty damned close, and that's pretty damned cool.

New music from the Cowsills. And yeah, there'll be more to come from Rhythm Of The World in near-future playlists.

CAROLYNE MAS: In The Rain
CHRIS VON SNEIDERN: Goodnight Sailor


It has seemed like a very long time coming, but our new compilation CD This Is Rock 'n' Roll Radio, Volume 5 is out this week, courtesy of the good folks at Kool Kat Musik. I do indeed realize that we're biased about this, but I tell ya, TIRnRR # 5 is as fine a rockin' pop compilation as you can find anywhere. Anywhere. We're not delusional, at least not in this specific context. We're enthused. And this is flippin' superb.

Among this compilation's many services to the CD-buying public, we have rescued an obscure, long-outta-print Carolyne Mas track from undeserved anonymity. "In The Rain" is now my favorite Carolyne Mas number--and that's saying something--and its only current physical media availability is on This Is Rock 'n' Roll Radio, Volume 5.

And if TIRnRR # 5 merits kudos for shining its giddy spotlight on "In The Rain," we also deserve a Huzzah! or two for the first-ever appearance of "Goodnight Sailor" by Chris von Sneidern. Jeez, does CVS have any mere castoffs? "Goodnight Sailor" is worthy of saturation airplay everywhere, and we're delighted to play this small role in placing it within earshot of the eager and appreciative. 

Oh, and the moral of our story? BUY YOURSELF A COPY OF THIS IS ROCK 'N' ROLL RADIO, VOLUME 5! It's the thing to do, kids will envy you, so buy our CD [CeeeDeee!].

CEELO GREEN: Forget You
OUTKAST: Hey Ya!
LIBRARIANS WITH HICKEYS: I Better Get Home


I guarantee you, the members of Akron's phenomenal pop combo Librarians With Hickeys didn't foresee one of their tracks placed in a 1-2-3 sequence of CeeLo Green, OutKast, and our neck-kissed Librarians. It's ALL pop music, man.

And pop music fits alongside pop music. It's what pop music does, what it's meant to do. CeeLo Green's "Forget You"--a dynamic single that's about as perky as an F-YOU! can be--came up while I was sifting through possibilities for this week's radio alchemy. I'm fairly certain we've played it before, but it's been absent from our playlists for a long time. Had to rectify that.

"Forget You"'s effervescent pop appeal brought OutKast's "Hey Ya!" to Dana's mind. "Hey Ya!" was and remains a transcendent record, effortlessly merging influences from rock, soul, new wave, even bubblegum and hip hop, and makin' 'em all shine together under the light of a smilin' AM Top 40 sun. Oh, and it has HANDCLAPS!! Hey YA!

And the HEY! in that model brought me to "I Better Get Home," my favorite track on the new Librarians With Hickeys album Handclaps & Tambourines. See? Handclaps! OutKast would approve. As well they should.

THE PANDORAS: It's About Time


During one of my commutes last week, my iPod served up "Again And Again," a track from Come Inside, the still-unreleased 1987 album by the Pandoras. Much of this album is characterized by an all-female interpretation of the leering demeanor common among strutting '80s hair-metal boys who would be men, a single-entendre pose adopted by garage girls transitioning from '60s fuzz fixation into a flirtation with aerosol rock. Come Inside The Pandoras. GET IT...?!


For all that, though, Come Inside really isn't bad, and it's occasionally a lot better than its seemingly baser instincts might indicate. I wouldn't quite rank it alongside the Pandoras' 1984 debut album It's About Time (which was a different band entirely, with only Paula Pierce moving forward through subsequent incarnations) or 1986's somewhat poppier Stop Pretending, but I do wish it would finally see legit release.

I considered throwing "Again And Again" into this week's playlist, but ultimately went back to my favorite Pandoras track, the irresistible "It's About Time." Here are a few lines from its chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1):

"...Like many groups in the mid '80s psychedelic revival, the Pandoras cherished authenticity in their efforts to recreate the sounds of the obscure and unpolished '60s bands they admired and emulated. As an all-female group in an overwhelmingly male-dominated scene, the Pandoras may have been seen (incorrectly) as something of a novelty act, but the sound of female vocals over fuzz guitar helped the group stand out from the pack of slavish Sonics imitators.

"If the Pandoras were initially noticed just for their gender, it must also be said that they could deliver the goods on record. Their 1984 debut album It's About Time remains an essential artifact of the neo-garage movement. It's filled with derivative tunes, retro moves, and deliberately lo-fi production values, sure, but it is greater than its self-imposed limitations, and it is offered with a gusto second to none.

"The title track is extraordinary, its guitar intro echoing the Byrds while remaining stubbornly anchored in the carport that spawned it. The lyrics could be about a one-night stand (or the first of a series of all-night stands), or one could imagine it as manifesto for bands and fans to get together to frolic under the flashing lights. It's about time. Don't you think that we should just let it happen? NOW!...."

THE RASPBERRIES: I Wanna Be With You



LISA MYCHOLS: Go All The Way


I believe it was intrepid TIRnRR listener Joel Tinnel who once suggested that a spin of Lisa Mychols' breathy, acoustic cover of the Raspberries' horny classic "Go All The Way" should be followed with a ceremonial cigarette. We don't smoke, but this track sure does.  And I further suggest that a twin spin of the 'Berries' "I Wanna Be With You" and Lisa's "Go All The Way" should perhaps be sold in a brown paper bag. 

HERB ALPERT AND THE TIJUANA BRASS: Green Peppers


And on that note....


If you like what you see here on Boppin' (Like The Hip Folks Do), please consider 
supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, May 5, 2022

10 SONGS: 5/5/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1127.

THE BABLERS: You Are The One For Me

England's phenomenal pop combo the Bablers commence a new series of digital singles for the mighty Big Stir Records with "You Are The One For Me." You remember in That Thing You Do! when Mr. White tells teen sensations the Wonders that their single is snappy? "You Are The One For Me" is snappy, and it just so happens that I want something snappy. And I just happen to co-host a radio show built of all things snappy. Maximum snappiosity. We look forward to future snaps from the lads.

RONNIE SPECTOR: Something's Gonna Happen

The late, great Ronnie Spector recorded a handful of collaborations with Marshall Crenshaw about thirty years ago. They recorded five Crenshaw songs together in the late '80s or early '90s, though the public didn't get to hear them until 2003. I wasn't even aware of these until after our dear Ms. Spector passed in January. But this is just fantastic stuff, and we are poorer for not having the opportunity to experience them when they were new. And the record industry is a big moronhead for not embracing the project and demanding an extended Spector-Crenshaw team-up.

As is: working with Marshall Crenshaw, Ronnie Spector accomplished a minor miracle. Her renditions of Crenshaw's songs are even better than his already-incredible original versions, and they're on a par with the best recordings she ever made. The Ronettes' "Be My Baby." Ronnie Spector and the E Street Band's "Say Goodbye To Hollywood." Ronnie and Marshall's "Something's Gonna Happen." Pretty good company to keep. It's happening, all right. 

LUCINDA WILLIAMS: Passionate Kisses

I think "Passionate Kisses" is probably best-known via Mary-Chapin Carpenter's 1992 cover. Carpenter does a very nice reading, but my heart belongs to Lucinda Williams' 1988 original. I first heard it in a mix tape compiled by my friend Andrea Ullman, part of a flurry of cassette exchanges I had in the late '80s/very early '90s with her and with her future husband Greg Ogarrio. Ah, the mix tapes of our lives!

THE WALKER BRIGADE: Shake Shimmy

The above-mentioned Andrea Ogarrio was a member of the SoCal pop band the Bunny Rabbits, and Andrea and her fellow lepus janglus comrades co-wrote an ace 'n' angry pop tune called "Fallout." The Walker Brigade covered "Fallout" as a Big Stir single in 2020, and that same track now serves as the opening salvo on the Walker Brigade's new album If Only.  We'll be playing the Walker Brigade's "Fallout" again on a very near-future show.

But this week, we felt we oughtta pound the console on behalf of If Only's release by spinning something we ain't played before. That honor fell to this boppin' li'l number "Shake Shimmy," which we will also be playing again on a very near-future show. The way we Walker is just the way we...never mind.

SCOTTY GRAND, JACOB YOFFEE, AND ROAHNE HYLTON: All I Know (The Wonder Years Theme)

In writing my long-threatened book The Greatest Record Ever Made! (Volume 1), the many entries I completed but then removed from the book's Table of Contents include three songs associated with TV series: the Dandy Warhols' "We Used To Be Friends" (a track known by many--me included--as the theme song for Veronica Mars), "The Batman Theme" by Nelson Riddle, and "The Green Hornet Theme" by Al Hirt. As a more recent TV theme song (from ABC's current reboot of The Wonder Years) makes its way to the TIRnRR playlist, these paragraphs from the Nelson Riddle chapter seem relevant:

"I grew up in a time when TV theme songs routinely entered the public consciousness. The catchy ditties that opened shows like Gilligan's IslandF TroopThe Beverly HillbilliesThe Patty Duke Show, and Car 54, Where Are You? weren't hit records in the usual sense, but within our shared pop culture they were nonetheless as big as any 45 spinning on the radio. 

"Many theme songs were sufficiently hook-laden to prompt release as a single, sometimes by the original artist and sometimes in cover versions, and sometimes to chart success. The Cowsills' swell cover of 'Love American Style' wasn't a hit, but it should have been, and it remains a staple of their live act. The VenturesPerry ComoHenry Mancini, and Johnny Rivers all made the Top 40 with their respective renditions of themes from Hawaii Five-0Here Come The BridesPeter Gunn, and Secret Agent Man. Television tunes continued to maintain a radio presence throughout the '70s and '80s. In June of 1995, the Rembrandts' 'I'll Be There For You,' the theme from the NBC sitcom Friends, was the # 1 song on radio the week my daughter was born. I thought that was appropriate, and pretty cool...."

I've been digging the new Wonder Years, and a recent episode included the show's theme song "All I Know" within the episode itself. That spotlight made me notice the song in a way I hadn't noticed it before. "All I Know" sounds like a period-appropriate late '60s soul song, and I bought the digital single immediately. TV on the radio!

THE MONKEES: Terrifying

This week's show marked the sixth anniversary to the day of our first spin of "She Makes Me Laugh," the first advance single from the Monkees' 2016 album Good Times! The album was one of the highlights of a miserable year. And one of its best individual tracks was "Terrifying," a digital bonus track that has still not been issued on CD, nor in any physical form outside of limited-edition vinyl. The situation remains terrifying.

GLADYS KNIGHT AND THE PIPS: Midnight Train To Georgia

The Greatest Record Ever Made!

DAVE COPE AND THE SASS: Julee

Don't ever let anyone get away with trying to tell you there's no worthy new music. That's nonsense. Maybe the good new stuff doesn't reach your ears as effortlessly as it did when you were younger. But it's out there, and it's worth the effort to find it. Every week on TIRnRR, Dana and I try to do our part to mix the great new stuff with the great familiar stuff. Right now is always the best-ever time to be a fan of rockin' pop music.

"Julee," the title tune from a 2022 Kool Kat Musik release by Dave Cope and the Sass, is my favorite new track of this year so far. That's saying something, because as crappy as the year has been in general terms, there's been a rush of fabulous new music, courtesy of Kool Kat, Big Stir, Red On Red, Jem, Rum Bar, and so many others. In my head, "Julee" conjures a million different influences I can't quite isolate or identify; I hear some kind of mid/late '60s British vibe, which may be imaginary, but I don't care. Can't play this one enough.

BARBRA STREISAND: Stoney End

I do believe this is the first time we've ever played Barbra Streisand on TIRnRR. I didn't check with our intrepid stats man Fritz Van Leaven, and it wouldn't shock me if I turned out to be wrong about this, but I'm pretty sure about it. I loved the Funny Girl soundtrack LP when I was a kid, but neither it nor most of Streisand's pop hits are the sort of thing I'm terribly likely to play nowadays, either for myself or for others. I mean, my top Streisand moment is her co-starring role in the 1972 comedy What's Up, Doc?, a non-musical flick that is absolutely one of my all-time favorite films.

Streisand's 1970 Top Ten hit "Stoney End" popped into my head last week. I have no idea how or why it got there, but as I sang along silently (or not) with its virtual spin in my pop-obsessed brain, I knew we needed to include it in the ol' playlist. Dana has certainly played the song's author Laura Nyro on occasion, and I think we may have played Nyro's own version of "Stoney End"...maybe? I dunno. It's a fabulous tune in either incarnation. And it's ALL pop music. Yesterday I learned that June Millington of Fanny played on Streisand’s recording. That makes it even cooler, I say.

CAROLYNE MAS: In The Rain

Great, great, great track by Carolyne Mas. It's out of print. For now.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, March 3, 2022

10 SONGS: 3/3/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1118.

EYTAN MIRSKY: Conversation

As we were preparing this week's show, we heard the sad news that drummer Chris Garges had passed. We didn't know Chris personally, but our hearts and condolences go out to his family and friends, especially to some of our friends who did know Chris, and for whom this is a personal loss. We hear Chris' voice in nearly every weekly edition of TIRnRR, speaking with his fellow members of the Spongetones in the superswell show ID bumper they recorded for us. You'll likely continue to hear that for as long as we have a radio show.

Dana and I had already set this week's playlist before we learned of Chris' passing. But we felt it was important to open the show with at least some brief tribute to him, and it was fairly simple to swap out and rearrange a few tracks and sets to accomplish that. We figured we'd reach back to what must have been the first of Chris' work we ever heard: Songs About Girls (And Other Painful Subjects), the 1996 debut album by Eytan Mirsky. Our best wishes and commiseration to all who knew Chris. He sounds like he was a hell of a guy.

ROTARY CONNECTION: Love Me Now

The music of Rotary Connection is still mostly undiscovered to my ears; I know of Rotary Connection more than I know Rotary Connection, and I don't know all that much of them, either, other than the fact that one of the many members over the group's timeline was the late Minnie Riperton. Much of what I have heard is intriguing, reminding me (perhaps incongruously) of a more soulful Renaissance or a more progressive 5th Dimension, though neither impression is accurate. I aim to learn more, much more, and the best way to learn more about Rotary Connection is to hear more Rotary Connection. Stay tuned. 

ANTON BARBEAU: Rain, Rain

The new album from Anton Barbeau is called Power Pop!!!, and I very much dig how the good folks at Big Stir Records hyped its representation on our little mutant radio show this week:

"Anton Barbeau hits the This Is Rock 'n' Roll Radio playlist with music that may or may not be power pop (it isn't!) along with the Flashcubes featuring Shoes (both of which are) and Addison Love and Irene Peña (who may vary from track to track)... but like it says, it IS Rock 'N' Roll as only Dana and Carl can bring it to you!" TESTIFY, brothers and sisters!

"Rain, Rain" is the first single off Power Pop!!!, and I would concur that it's not power pop as I envision power pop. But it is a glorious example of catchybuzz--I just made that up--a luxurious blend of psych-tinged, '80s-influenced left-of-the-dial pretty noise. Dana felt compelled to follow it with a track from Let's Active's Big Plans For Everyone, and I felt compelled to turn it all up for maximum boppin' accomplishment. Catchybuzz. We'll have another track from Power Pop next week. It's also not power pop. But we like it anyway.

SCOTT ROBERTSON: Hours Feel Like Minutes

We've played music from the Vapor Trails a time or several on TIRnRR. The fabulous Vapor Trails are piloted by Kevin Robertson, and Kevin's son Scott Robertson has a likewise-fabulous new EP called Physical Education. The EP comes courtesy of Futureman Records, the same visionary label that introduced us to the Vapor Trails. Of course we played it! It's what we do! We'll play it again next week. Nice, nice stuff.

THEE OH SEES: No Spell

Nope; I've never heard of Thee Oh Sees before. I really need to get out more. The almighty Wikipedia says the group has been around since the late '90s, and is currently known by the truncated moniker Osees. All I know is that Dana played Thee Oh Sees' "No Spell" (from the 2013 album Floating Coffin), prompting listener Rich Firestone to comment, "Mind blower of a song playing right now!" We agree, Rich. We agree.

CAROLYNE MAS: In The Rain

Hey, congratulations to the incomparable Carolyne Mas, who's just entered into a deal with the German label MIG Music. The Mas/MIG alliance will bring some of Carolyne's music back within the reach of an eager buying public, and we're in favor of that. "In The Rain" is my favorite Carolyne Mas track, a song I love even more than I love her MTV classic "Quote Goodbye Quote." I have a feeling we're gonna be giving some significant spinnage to "In The Rain" this year. It's all part of our ongoing service to you, the loyal TIRnRR listener. As always: playing pop music is its own reward.

TEGAN AND SARA: Walking With A Ghost

"So I heard a song on the radio...."

That's the first line of a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1), the beginning of an entry celebrating "Walking With A Ghost" by the Canadian duo Tegan and Sara. "Walking With A Ghost" was indeed a song I heard on the radio, and its wraith-like ambiance hypnotized me on first spin.

"...If I never learned anything else about Tegan and Sara, if I never heard another note of their music, 'Walking With A Ghost' would be enough to haunt me, a spirit to possess me, a reminder of secrets thought to be dead and buried, yet rising from their graves to float beside me. Torments? No...well, sometimes. But always: reminders. Traces of what was and what could have (or should have) been, and the depressing gap between the two.

"The ghosts of our past walk beside us. I know I'm not unique in this. The spirits of past missteps and misdeeds are with us every day, sometimes with greater presence than others. No medium or ghostbreaker can dispel these particular poltergeists. It's not every minute of every day; we can apply context and balance, and we can concede that being human--mortal--comes with the certainty of fallibility, the inevitability of imperfection. But we also have to acknowledge the sins and the regrets, the times we were victim or villain, the aggressor or the aggrieved. I hope lessons were learned along the way. The ghosts remind us how much we still have to learn."

THE FLAMIN' GROOVIES: So Much In Love


"So Much In Love" was the B-side of
the Flamin' Groovies' cover of Ike and Tina Turner's "River Deep Mountain High," both tracks coupled as a non-LP 45 issued in France in 1981. It was, to all intents and purposes, the final release by the Groovies during their initial lifespan, a continuity that stretched back to the '60s and through varying lineups. Original lead singer Roy Loney had split in the very early '70s, and he was replaced by Chris Wilson. Chris himself left somewhere 'roundabout this single's release. Original Groovies Cyril Jordan and George Alexander attempted to soldier on for a bit, but the flame died, and the Groovies were gone, at least for a little while. They would return.

This B-side was something of an orphan track; not exactly lost, but kind of, I dunno...sidelined? Both the A- and B-sides were collected on The Gold Star Tapes, an LP of dubious legitimacy. Or a bootleg. Or a rare import. You bought it, you name it. "River Deep Mountain High" was later included on the wonderful Groovies CD compilation Groovies' Greatest Grooves, while "So Much In Love" remained in the wild. It was given proper reissue as part of Between The Lines, a 2019 CD subtitled The Complete Jordan-Wilson Songbook '71-'81. Between The Lines is my go-to Flamin' Groovies collection.

WILSON PICKETT: In The Midnight Hour

As I mentioned yesterday, I'm mulling a plan to renovate my GREM! book, a work that has been in development for years and still hasn't found a path to publication. Even if I do split the book into two parts, my chapter about Wilson Pickett's "In The Midnight Hour" will almost certainly remain a part of Volume 1. That chapter begins as follows:

"Sometimes even a great record--the greatest record--is taken for granted. For all the classic 45s or album tracks that tackled you and gloriously pinned you to the pavement on first exposure, there are many other shots o' sonic bliss that you just didn't quite get immediately, songs you didn't fully appreciate on first spin, or third spin, or even for a long while after that. Maybe some of these are records you initially deemed merely 'Okay, I guess,' if you gave them any thought at all; perhaps some are little ditties you ignored, or even actively disliked. And then one day or night--preferably night--you hear the song again, and it suddenly clicks, as if you're hearing it for the very first time. And it's like the trite old story of the presumably-mousy secretary whose beauty suddenly reveals itself when she removes her glasses...except that she was always beautiful, with or without the glasses, ya freakin' dimwit. You just didn't notice. 

"But you're paying attention now. And whether it's a girl or a song or some other sublime gem, you've fallen in love. What took you so long?"

THE MIGHTY LEMON DROPS: Inside Out

Gilmore Girls was one of my favorite TV series. The opening scene in its first episode played out to a soundtrack of "There She Goes" by the La's. The final scene of the last episode of its original run used "Inside Out" by the Mighty Lemon Drops. So this one goes out to Lorelai and Luke in Stars Hollow, Connecticut. Here's to your little corner of the world.

You can support this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl