Showing posts with label Johnny Johnson & the Bandwagon. Show all posts
Showing posts with label Johnny Johnson & the Bandwagon. Show all posts

Friday, November 15, 2024

10 SONGS: 11/15/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1259.

THE BINGS: Hold On

"Hold on?" Good advice, and I'm happy to take it out of context right now.

This week's show was programmed before the election results came in, when our sense of nauseous optimism deluded us into believing there was no way American voters could...well, do exactly what American voters wound up doing. The show was recorded in the aftermath of that awful mourning in America, but nearly all of the original song selections remained in place.

So we hold on, hope for the best, prepare for the worst. We'll play some music to comfort our battered, broken hearts. The Bings were an obscure but fantastic early '80s SoCal pop band, and their great stuff is gathered on a cool collection bearing the appropriate title Power Pop Planet (The Lost Tapes).

The Bings' "Hold On" has nothing to do with our current goal of trying to figure out ways to hold on. We will accept its advice nonetheless.

THE KENNEDYS: Waging Peace

A few days after the election, many from our local community of Syracuse music fans got together at The 443 Social Club & Lounge for an evening of companionship and commiseration. The Kennedys are an internationally-renowned coffeehouse pop duo, and while they're not headquartered in Syracuse, we regard them as a native daughter and native son. Maura Kennedy actually is from the 315 originally, a North Syracuse girl who came of age in the Syracuse music scene, but we likewise embrace Northern Virginia boy Pete Kennedy fully and wholeheartedly as one of us. No matter where the Kennedys go, they belong. When they're in Syracuse, though, we like to think that the Kennedys are home.

My God, we all needed this night of music. The Kennedys played and sang their songs of hope and harmony, of love and justice, of better days to keep us safe until tomorrow. Music can help us heal. And maybe it can help us wage some peace in these embattled times.

SLYBOOTS: If We Could Let Go

I'm trying. Honest, I'm trying.

Like the Bings' "Hold On," the title of Slyboots' luscious current single "If We Could Let Go" is only coincidentally related to my emotional miasma. Such a good track in any context, and "If We Could Let Go" returns to the TIRnRR airwaves on our next show.

LIBRARIANS WITH HICKEYS: Brand New Boyfriend

The new Librarians With Hickeys album How To Make Friends By Telephone is one of several 2024 releases from the esteemed Big Stir Records label that I would consider among this year's very best. This has been a great, great year for new rockin' pop music. The dichotomy between this lousy year and its invigorating soundtrack is off-putting. I wish 2024 could have been as good as the music it produced.

THE SMITHEREENS: Face The World With Pride

Face the world with PRIDE! We...tried that. Didn't seem to help. But the effort will continue.

THE DICKIES: Banana Splits

The Greatest Record Ever Made!

THE BANDWAGON: People Got To Be Free

This cover of the Rascals' "People Got To Be Free," recorded by underrated '60s/'70s soul group the Bandwagon (aka Johnny Johnson and the Bandwagon), is even better than the original, and that (to quote the Velvelettes) is really sayin' somethin'. The Bandwagon should have been huge.

ELVIS COSTELLO AND THE ATTRACTIONS: (What's So Funny 'Bout) Peace, Love And Understanding?

Other than the show-concluding Irene Peña track listed below, Elvis Costello and the Attractions' "(What's So Funny 'Bout) Peace, Love And Understanding" is the only selection we added to the playlist after learning that the country had chosen pain and hatred and misery over peace, love, and understanding. 

I fail to see anything funny in that.

WONDERBOY: Girl Songs

A championing of giddy delight can be among our most effective coping mechanisms. Comfort foods. A hand held. A popcorn flick. An escapist paperback novel. Trash TV.

Girl songs.

Robbie Rist understands that appeal and delivers on it. Robbie wrote "Girl Songs" back in the '90s, recorded it with his ace then-combo Wonderboy, and it's buoyed many a TIRnRR  playlist since we belatedly discovered the damned thing earlier this year. Giddy delight means a lot to me.

IRENE PEÑA: I Won't Back Down

We won't back down. Not now. Not ever. It's our country, too.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Friday, November 10, 2023

10 SONGS: 11/10/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1206. This show is available as a podcast.

BIG STAR: September Gurls

Over the course of nearly 25 years of This Is Rock 'n' Roll Radio, I'm pretty sure Big Star's "September Gurls" remains our all-time most-played track. I doubt it even has any serious competition at that particular pinnacle. 

I think at least part of the reason for the song's ongoing TIRnRR sovereignty (aside from the fact that it's, y'know, terrific) is rooted in a tacit understanding that Big Star was a cherished underground act that the faithful believed shoulda been the big stars their dba claimed. From the "September Gurls" entry in my proposed book The Greatest Record Ever Made! (Volume 1):

"Big Star was a big secret. As I became familiar with Big Star's records, I became a fan. And I soon learned that being a Big Star fan was like being a member of an underground pop society, a discerning, scattered network of music enthusiasts who knew--knew--there was more out there, old and new, than we were hearing on any radio station anywhere. Big Star was the golden ticket. You like Big Star? You're one of us, then. 

"This goes well beyond the limited parameters of hipster snobbery, of us versus them, of self-conscious cool that is, in fact, not cool in any way. This is faith. This is belief in the power of song. This is the inner certainty that there is greatness everywhere, awaiting someone to appreciate it and spread its Gospel. And there is no greater manifestation of that belief than the pure, tear-stained splendor of Big Star's 'September Gurls.'

"How can I deny what's inside?"

TAYLOR SWIFT: Welcome To New York

Big Star was correct: Never deny what's inside.

I admit I was a little bit surprised when my lovely wife Brenda floated the idea of the two of us checking out Taylor Swift's concert movie. I was even more surprised by how much I flat-out enjoyed Taylor Swift: The ERAS Tour, a film that offers a marvelous, fascinating immersion into the phenomenon of a Taylor Swift live show. Good choice, Brenda!

Previously, my take on Taylor Swift was that she's a remarkable talent whose music was intended for a demographic that doesn't include me. Fair enough. It didn't stop me from respecting her, even admiring her, and recognizing that she's a star whose celebrity status was built by talent, as well as a star who uses her celebrity responsibly. These are good things. I needn't wish to sing along with "Bad Blood" to appreciate any of that.

Now? Man, I think I need to take a deeper dive into some of her records. This week's show was programmed and recorded prior to my viewing of The ERAS Tour, but I felt motivated to check out her recently-released 1989 (Taylor's Version). Its track "Welcome To New York" struck me as something of a piece with whatever it is we do on TIRnRR. It is, as we say, ALL pop music.

Welcome.

ANY TROUBLE: Playing Bogart

In high school, I knew a girl who often wanted to hear my inept impression of Humphrey Bogart. Mind you, my Bogart was nothing short of terrible, but she seemed to dig it, and this teen boy was generally A-OK with the idea of being able to accomplish something--anything!--that a pretty teen girl might dig. Herszh lookin' at you, Szhweetheart....

I don't think I caught on to the music of Any Trouble until many years after the fact. And it's only just now that I've made a mental connection between the group's lyrical ode to playing Bogart and my own clumsy attempts at Bogie on demand all those decades ago. Play it again, Szham.

JOHNNY JOHNSON AND THE BANDWAGON: Let's Hang On

With no offense intended to the Jersey boys, I say Johnny Johnson and the Bandwagon's 1969 cover of the Four Seasons' "Let's Hang On" is the definitive version. The Bandwagon were a criminally undervalued soul group--their "Breakin' Down The Walls Of Heartache" keeps company with Big Star in my Greatest Record Ever Made! book--and they had a particular knack for pulling off covers that were better than the originals. The Bandwagon  took one of the Monkees' worst tracks, "The Day We Fall In Love," and somehow made it better'n decent, and they went toe-to-toe with the likes of the Rascals ("People Got To Be Free"), the Hollies ("Gasoline Alley Bred"), and Bob Dylan via the Byrds ("Mr. Tambourine Man"); in each case, the Bandwagon emerged the victor.

Same goes for the Bandwagon's reading of "Let's Hang On." Sorry, Mr. Valli. But there's no need to hang your head; the Bandwagon were just that good.

THE RAMONES: Here Today, Gone Tomorrow

Following the May 9th publication of my book Gabba Gabba Hey! A Conversation With The Ramones, I put together a blog post about my 25 favorite Ramones tracks. That list includes "Here Today, Gone Tomorrow." This is what I wrote about that track:

"We don't generally think of the Ramones as balladeers. But the Ramones were raised on AM Top 40 radio when AM Top 40 was fantastic, bred by the sounds of girl groups, British Invasion, Motown, garage, bubblegum, rock, and pop. Ballads were part of that environment.

"And the Ramones were--perhaps incongruously--great at ballads. That should not be true...but it is. I'm not much for power ballads myself. But Ramones power ballads? The Ramones made power ballads cool.

"We got a new album out. It's called Rocket To Russia. This one's called 'Here Today, Gone Tomorrow.'

"With Dee Dee's count-in following Joey's introduction, the first time I heard 'Here Today. Gone Tomorrow' was when the Ramones played it at my first Ramones live show. Stunning, and a remarkably effective slow burn amidst the fast-loud-rules of the Blitzkrieg Boppin' and Cretin Hoppin' that surrounded it in concert. 

"By then, I think I'd already read Greg Shaw's rave about the song in the pages of Bomp! magazine. Hearing it live delivered on Shaw's promise, and the studio track lived up to it. The Ramones as balladeers. Someone had to pay the price.

"It was worth it."

On two separate occasions in October, I got to witness the great 1.4.5. as they performed "Here Today, Gone Tomorrow" in their live sets, the song dedicated both times to the late Ducky Carlisle. Tough disguises tender, but only if we don't bother to look for the hearts that beat beneath leather jackets, the emotion that lurks behind practiced scowls.

Here. Then gone.

THE GRIP WEEDS: Organ Grinder's Monkey

One of my two 1.4.5. live shows in October was the Grip Weeds' recent gig at The Lost Horizon in Syracuse. Whatta show! And one of its unexpected highlights was when the Grip Weeds dazzled us with their cover of "Organ Grinder's Monkey," a way obscure 1970 single by the equally obscure group Frosty. The song opens the Grip Weeds' magnificent 2022 covers album DiG, and hearing it performed live at the Lost compelled us to play it on the radio. About time! Dance, monkey. Dance!

SOLOMON BURKE: Everybody Needs Somebody To Love

The Greatest Record Ever Made!

THE FLASHCUBES: Forget About You

Some things in life are certain. Death. Taxes. Construction on I-81. And also TIRnRR playlists that include a spin from my favorite album of 2023, the Flashcubes' Pop Masters. Their cover of the Motors' "Forget About You" is on a (wait for it!) certain collision course with our year-end countdown. As it should be.

"Forget About You" had last week off, and it's taking next week off as well. But we still had another Pop Masters track last week, and I can risk the sin of spoilers as I say we'll have yet another Pop Masters gem spinning next week.

Much more pleasant than death or taxes, and a damned sight more interesting than roadwork. Pop Masters. You can be certain of that.

DAVE KUCHLER: In It With You

Acknowledging that the Flashcubes' Pop Masters is unassailably secure in its position as my album of 2023, Dave Kuchler's "In It With You" could stake a credible claim as my favorite individual track of the year. You can find it on Dave's album Love + Glory, and you can hear it again on the radio this coming Sunday night in Syracuse.

THE JIVE FIVE: What Time Is It

The show's over already...?! I blame that whole FALL BACK nonsense. What time is it? The Jive Five have the answer: It's time for love. 

The right answer, I say. Love is always the right answer.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Saturday, July 8, 2023

10 SONGS: 7/8/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1188. This show is available as a podcast.

THE MIDNIGHT CALLERS: What Goes Around

We've been poundin' pretty good with "Baby Let Me Be," the advance single from the Midnight Callers' fantabulous new album Rattled Humming Heart. The album itself is finally out now, and it seemed high time to play one of its other fantabulous tracks. We opted for "What Goes Around," but we had a lot of superstellar choices at our disposal. We're switching back to the single on our next show, but expect more from Rattled Humming Heart as these weekly radio bopathons continue. Saturation airplay suits the Midnight Callers just fine.

GLADYS KNIGHT AND THE PIPS: Midnight Train To Georgia

"Midnight Train To Georgia" dominated my beloved AM radio stations in 1973, but I wasn't initially much of a fan of the song. Don't know why this was so, but the track didn't clickety-clack in place for me until I saw Gladys Knight and the Pips perform it on some TV show. I have no idea what show it was, and I can't even swear whether Gladys and her Pips were actually singing or just lip-syncing, but whatever: the performance fascinated me. And it wasn't the visual of the Pips' dance moves that got to me; it was the singing. Gladys Knight. And the Pips. I didn't notice how great they sounded until I listened to 'em on TV. I've adored this song ever since that night.

I recently got the chance to witness Gladys Knight sing live. My God, she's magnificent. My slight disappointment that the concert ended with an abbreviated version of my favorite Gladys Knight song--omitting the entire verse about He kept dreaming that some day he'd be a star--didn't matter. I'd still heard her sing that song, and so many others, in live performance, and I'd heard her deliver them with absolute mastery. If you have a chance to see Gladys Knight, man, you need to get on board.

I know you will.

THE FLASHCUBES: Nothing To Do

Of course we've heard Pop Masters, the forthcoming new rockin' pop covers album from Syracuse's own power pop powerhouses the Flashcubes. We've had the digital files for months, I wrote part of the liner notes, and we've been carpet bombing the playlist with Pop Masters, because why even have a playlist if you can't carpet bomb it with the Flashcubes?  

That's all well and good. But I can't wait for the razzafrazzin' thing to be released. I wanna hold the CD package in my indifferently-manicured hands, and I wanna revel in the physical manifestation of a new record by one of my all-time favorite groups. The Beatles, the Ramones, and the Flashcubes. That's my Trinity.

There's another new digital single from Pop Masters due out soon (and up for preorder now), with the album itself slated for August release. We've been playing that track, an ace cover of the Motors' "Forget About You," and we're set to pound it into your cranium again in the coming weeks. For this week's show, since Dana closed our first set with  "The Mona Lisa's Packing, She's Leaving Tonight" from the new Sparks album The Girl Is Crying In Her Latte, we opened our second set with the 'Cubes' Pop Masters take on Sparks' "Nothing To Do." Nothing to do? Everything to do! And we do it all for you, our loyal listeners. Radio's job is to sell records. We've done our part. Now you do yours.

(Beginning with the 2021 release of the Flashcubes' first Big Stir Records single [and eventual Pop Masters track] "Baby It's Cold Outside," TIRnRR has played eleven out of the twelve tracks on Pop Masters. We've been holding the remaining one in reserve, and we'll get to it very soon.)

JOHNNY JOHNSON AND THE BANDWAGON: You

Whether they're billed as the Bandwagon, Johnny Johnson and the Bandwagon, or their come-on-now! over-specification as Johnny Johnson and HIS Bandwagon, we love playing stuff from this magnificent, underrated soul combo. "Breakin' Down The Walls Of Heartbreak" (by the Bandwagon) is a stone classic, "(Blame It) On The Pony Express" (by Johnny Johnson and his Bandwagon) is the epitome of 1970 bubblesoul, and the group (by whatever name) absolutely nailed a bunch of distinct and delightful covers of everyone from Bob Dylan to the Monkees to the Four Seasons to the Rascals to the Hollies and more. More pop fans need to jump on this particular Bandwagon.

Our latest recruit is none other than intrepid listener and Radio Deer Camp host Rich Firestone, who responded to this week's spin of the Bandwagon's "You" by saying, Okay, you finally broke me with that last song...I finally bought that Johnny Johnson CD!

Radio at work, my friends. Radio at work.

sparkle*jets u.k.: Mahnsanto

The new sparkle*jets u.k. album Best Of Friends has been a big hit here on The Best Three Hours Of Radio On The Whole Friggin' Planet. It's a stunning tribute to the indie pop scene that thrived as the 20th century ceded space to the 21st, the scene that brought us sparkle*jets u.k. in the first place. Best Of Friends is loaded with superfine covers of everyone from Big Hello to the Shazam, Linus of Hollywood to the Masticators, Cockeyed Ghost to Walter Clevenger and the Dairy Kings.

I'm not familiar with the Negro Problem's original version of "Mahnsanto;" I know a little bit of TNP's work, but my lack of awareness of the bulk of their well-regarded catalog is a gap in my pop consciousness, and I need to remedy that. The TIRnRR archives say we've played the Negro Problem's "Submarine Down," "Monica Oyster," "She's Flying Naked Through The Air," "The Magic Touch," and "Sabrina Drill" at some points in our storied past, as well as TNP leader Stew's "North Bronx French Marie." But it's been a while, and we should probably oughtta do something about that. Hell, Cockeyed Ghost's early TIRnRR Fave Rave "About Jill" was about TNP accordionist Jill Meschke Blair, so Stew and company are certainly part of this radio show's DNA. Even if we don't know them all that well.

"Mahnsanto" is tabula rasa for me, but sparkle*jets u.k.'s rendition is instantly catchy, and a loop of the band's Susan West rapping To Disneyland in winter, to Disneyland in winter has been blasting non-stop in my pop-obsessed noggin all week. We'll hear a different Best Of Friends track on our next show, as sparkle*jets u.k. cover a song familiar to long-time listeners from its appearance on This Is Rock 'n' Roll Radio, Volume 1.

PARALLAX PROJECT: Put It Out

The next time someone tries to tell you that there's no good music being made anymore, you are within your God-given rights to call that ninny a freakin' ninny. Each and every week, Dana and I sort through stacks of new stuff, some of it negligible, but some of it fantastic. We are determined to mix new, old, and in-between in every show. It's an ongoing challenge to play some reasonable representation of all the fine tracks we want to play.

That situation also results in a lot of things we like getting played once on the show, and then never played again. I keep a list of TIRnRR airplay possibilities, and I refer to that list each week when Dana and I are assembling the new playlist. A quick scan of that reference list shows tracks by the Crushing Violets, Earth Quake, Rose Guerin, Dave Cope and the Sass, Barry Holdship, Popular Creeps, Carol Martini, Råttanson, Brad Marino, Janne Borg, the Gypsy Moths, the Weeklings, the Summertimes, Rooftop Screamers, and more, each one awaiting its return to the TIRnRR playlist, each one in the potential mix for this week's show, and each unable to secure a slot in this week's program, nor in our July 9th show. They remain on the list, and the list carries on. There's always another show to build, next week.

That big ol' roundabout above finally brings us to "Put It Out" from the new Parallax Project album Autologous. It's a nice, radio-ready offering that merits repeat play. But it elbowed aside another Kool Kat Musik release by the Parlophonics to get into this week's show, and the Parlophonics in turn squeeze past Parallax Project to score a berth on our next show.

Parallax Project will return. They're on the list. The list abides.

THE RUBINOOS: I Wanna Be Your Boyfriend


The Greatest Record Ever Made!

JAMIE HOOVER: Bourbon Understands

"Bourbon Understands" is the brand new single from the mighty Jamie Hoover, a countryesque number that Jamie co-wrote with TIRnRR's longtime pal Richard Rossi. We'll drink to that.

THE SUPREMES: Where Did Our Love Go?

Timing is everything. We've seen that demonstrated again and again since we began prerecording our shows more than three years ago. There was the time we closed a show with a spin of Ray Charles' "Hit The Road, Jack," which wound up airing the week that malevolent putz Putin invaded Ukraine. There have been several occasions when a beloved performer passed in between a show's recording and airing, and a work by that performer just happened to be on the playlist that week. There's no relevant intent, because we didn't know what context the world would provide after we'd already prepped our little mutant radio show; we just wanted to play the damned song.

This week, I felt like playing something by the Supremes. No real reason, just whim. A check of the database revealed that we'd never played "Where Did Our Love Go?," so that became my pick. Move on to the next song.

Cruel context arrived on June 30th, the Friday before the show. It happened to be the day after my wife and I stopped for a drink at Stonewall in Greenwich Village. I wrote about our NYC trip here, but this short passage bears a repeat in this spot:

"Stonewall is a bar in Greenwich Village, recognized as the place where Pride began. It's not the same bar that stood in 1969, when a riot became the flashpoint for recognition of gay rights. The Stonewall of today remains in that spot as a monument to the importance of what happened there. By coincidence, our visit to Stonewall was one day after the 54th anniversary of the riots, and one day before six reactionary justices on the U.S. Supreme Court effectively ruled that religious-based discrimination against the LGBTQ community is, in the Court's view, just fine and dandy. That is, in MY view, a big ol' pile of piggy poop. Love is love is love. The fight goes on."

Where did our love go? Love is love is love. Timing is everything...and nothing. We'll apply deliberate intent to open our next show.

MAURICE WILLIAMS AND THE ZODIACS: Stay

Just a little bit longer?

But no, this week's show has run its rockin' pop course. Hope you can join us again next time.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, November 3, 2022

10 SONGS: 11/3/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1153.

JOHNNY JOHNSON AND THE BANDWAGON: Mr. Tambourine Man

If memory serves (and sometimes it does), "Mr. Tambourine Man" was the second Johnny Johnson and the Bandwagon track I ever heard (the first being their shoulda-been-huge 1970 bubblesoul classic "[Blame It On] The Pony Express"). I think it was a blog (don't remember which) that introduced me to the Bandwagon's fabulous, unique take on Bashful Bob Dylan's "Mr. Tambourine Man," and I was sufficiently smitten. I later heard the Bandwagon's cover of the Four Seasons' "Let's Hang On," and this accumulation of sublime soulful pop compelled me to seek out more Bandwagon. Nowadays, the Bandwagon's music is a staple of TIRnRR, and their incredible single "Breakin' Down The Walls Of Heartache" merits a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1).

It occurs to me that, as much as I've always adored the Byrds' absolutely spine-tingling rendition of "Mr. Tambourine Man," I've been turning to the Bandwagon's version more and more often. Both great, of course, and both inventive in adapting Dylan's strolling folk original to suit their own disparate pop needs. Cast your dancing spell my way. I promise to go wandering.

IRENE PEÑA: In This Room

America's Sweetheart Irene Peña was kind enough to grant us use of her wonderful gem "In This Room" on our new compilation album This Is Rock 'n' Roll Radio, Volume 5. Here's a peak behind the curtain for a dramatic recreation of the intense negotiations involved in securing Irene's permission to use her track:

DANA & CARL: Hey, Irene! Can we use "In This Room" on our CD?

IRENE: 'K.

Brutal. BRUTAL! But well worth all of the trouble...I mean, even if there had been trouble. What a gorgeous song, and we are so grateful to have it on our compilation. Thanks again, Irene!

THE RAMONES: Surfin' Safari

In my continuing efforts to fool people into thinking I'm way cooler than I really I am, I'll casually mention that I first learned that the Ramones had recorded a cover of the Beach Boys' "Surfin' Safari" when Joey Ramone told me that the Ramones had recorded a cover of the Beach Boys' "Surfin' Safari." Gabba Gabba HEY! 

The revelation came during my 1994 telephone interviews with the Ramones. Our Carbona-huffin' heroes had tackled the song previously, their version used as a backing track for a 1978 single by Rodney and the Brunettes. That would be legendary DJ Rodney Bingenheimer, with the Honeys handling the vocal heavy lifting. The Ramones had hoped to exhume their original parts (minus Rodney and his Brunette Honeys) to use in their All The Stuff (And More) reissue series, but the tracks could not be located.

Instead, the Ramones wound up recording it again during the sessions for their 1993 all-covers album Acid Eaters. Their '90s "Surfin' Safari" was only used as a bonus track on the album's Japanese edition, though it did eventually appear on a British reissue of Acid Eaters. It has never been released in America.

THE BAY CITY ROLLERS: The Hero

I should probably put the "Bay City" in parentheses; this was originally credited to the Rollers, the post-mania late '70s/early '80s edition of the Bay City Rollers, with Duncan Faure replacing Les McKeown as lead singer. BUT! The CD reissues of the Rollers' three albums--Elevator, Voxx, and Ricochet--opt for the more marketable Bay City Rollers brand name, so that's usually how we credit 'em on TIRnRR. The Bay City Rollers, by any other name, would still be the Bay City Rollers.

(And I'm still hopin' for a CD and/or digital reissue of the Rollers' cassette-only soundtrack album Burning Rubber. The Burning Rubber tracks I've heard were appealing, and I'd love to have 'em in my collection o' tunes.)

Anyway. "The Hero" comes from Voxx, the Rollers' 1980 contract-fulfillment album. See ya, suckers! But the album is way, way better than the odds-and-sods barrel-scraping you'd expect. I like the Rollers, with or without the Bay City prefix; you can read evidence of my pro-Rollers position here, here, here, here, and most especially here. So it ain't faint praise when I say that some of the material on Voxx ranks among the best stuff either incarnation of the Rollers ever did.

This certainly isn't the first time we've played selections from Voxx, but it's the first time we got around to playing "The Hero." "God Save Rock & Roll" and "85" have been our previous Voxx go-tos, but it was high time we took a deeper dive. That dive brings us "The Hero" this week. TIRnRR rolls on.

LIBRARIANS WITH HICKEYS: Ghost Singer

A peek behind the ol' TIRnRR programming curtain: this week, we intended to play "I Better Get Home," which is my top track among top tracks on Handclaps & Tambourines, the current album from Ohio's gift to pop music, Librarians With Hickeys. Why "I Better Get Home?" It's the HEY!s. Can't go wrong with HEY!s.

But: we got a request! It happens. Occasionally. It was a Halloween-timed request for a different Handclaps & Tambourines track, "Ghost Singer." Well! Ya can't go wrong with HEY!s, sure, but you also can't go wrong with a request for a cool song by a cool band you were gonna play anyway. "I Better Get Home" returns to the playlist next week instead. 

EMMYLOU HARRIS: Pancho & Lefty

Emmylou Harris isn't exactly a stranger to TIRnRR playlists, but nor have we programmed her music with quite the carpet-bombing approach we employ when selecting tracks by, say, the Kinks. Nonetheless, I was a tiny bit surprised to discover that we had never played Emmylou's version of Townes Van Zandt's "Pancho & Lefty" before this week's show. We've played her "Luxury Liner" and "Born To Run," and we have played Willie Nelson and Merle Haggard's version, but it was high time we heard Emmylou Harris sing sweetly of those federales letting an aging and broken gunslinger slip away. Out of kindness, I suppose. 

THE NEW YORK DOLLS: Personality Crisis

The Greatest Record Ever Made!

THE MUFFS: Oh Nina

The late Kim Shattuck possessed one of the best screams in the history of the rock and the roll. That scream is on ample display in "Oh Nina," a track from the Muffs' second album Blonder And Blonder. Heaven is a much louder place than it used to be. Rest in righteous volume, Kim.

THE FLASHCUBES WITH THE SPONGETONES: Have You Ever Been Torn Apart

On the eve of release for another epic entry in the Flashcubes' series of superlative digital singles for the mighty Big Stir Records label, we pause to revisit a Fave Rave from earlier this year. See, Fave Raves are their own reward. This summit meeting between the 'Cubes and the Spongetones--two of the all-time greatest power pop acts--is a lock for the year-end countdown of our most-played tracks in 2022. We figured we'd give it another spin any way. A new Flashcubes single will open next week's show, as we relish these continued opportunities to rave about our faves.

JERRY LEE LEWIS: Great Balls Of Fire

The last of the elite class of 1950s rock 'n' rollers has left the building. The passing of Jerry Lee Lewis signals the final curtain for the first wave of rock 'n' roll legends. Buddy Holly. Eddie Cochran. Gene VincentElvis Presley. Ray CharlesChuck Berry. Carl PerkinsFats Domino. Little Richard. The Everly Brothers. And now, the Killer, Jerry Lee. All gone. One could make a case on behalf of a few artists we're happy to say are still with us (including Brenda Lee and Wanda Jackson), but clearly the torch has been...well, perhaps the torch hasn't exactly been passed, but nor is it lit as brightly as it once was.

I am aware of Lewis' human failings, and worse. His incredible talent and broad impact do not exempt him from responsibility. But I'm not qualified to discuss what he did or didn't do, and I'm not at all interested in delving into those matters today. For the moment, we separate the art from the artist, and remember the sheer potency of one of rock 'n' roll's undisputed greats. 

(And for a killer tribute to the Killer, check out this past Saturday's edition of Whole Lotta Shakin' on Different Radio WRUR-FM in Rochester. Our pal [and yours] Mike Murray opened the show with a solid half hour of prime Jerry Lee, presenting an authoritative Case CLOSED! on behalf of Lewis' rock 'n' roll legacy. Goodness gracious. The music lives on.)

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl