Showing posts with label Love. Show all posts
Showing posts with label Love. Show all posts

Friday, January 13, 2023

10 SONGS: 1/13/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1163. This show is available as a podcast.

THE RAMONES: Pinhead


Gabba Gabba Hey!

For reasons to be revealed soon--no, really!--I'm gonna be using that three-word-phrase a lot in 2023. So, after last week's epic countdown show, I wanted to open our first regular show of the year with a spin of "Pinhead," the classic Ramones track that introduced "Gabba Gabba Hey!" into the popular lexicon.

In programming the show, I was amazed when I discovered that we had never before played "Pinhead" on TIRnRR. "Pinhead" is one of the Ramones' definitive gems, and the Ramones are among the top most-played acts in this little mutant radio show's long and storied history. But we just never got around to spinning that particular track. We finally corrected that oversight this week.

And again: GABBA GABBA HEY!

RANK AND FILE: Amanda Ruth


The happenstance of "Pinhead" making its overdue TIRnRR debut dovetailed with Dana's determination to play a number of tracks we ain't never played here before. That plan brought the mighty Rank and File into the TIRnRR universe, with a spin of their superb 1982 single "Amanda Ruth." We play the hits. There are a lot of hits out there. Sometimes it just takes us a little while to get to 'em.

JOSIE COTTON: Sheena Is A Punk Rocker


And we're not the only ones who might run late in getting to the rockin' pop gala. Major record label weasels can be among the most guilty parties ever, sitting on perfectly fine potential releases, lettin' 'em languish in the vault as the weasels' myopic attention span flits to some other glittery piece o' pyrite. 


In the early '80s, Josie Cotton released two albums on Elektra, 1982's Convertible Music and 1984's From The Hip. She scored some notice with her singles "Johnny, Are You Queer?" and "He Could Be The One," appeared with her band in the movie Valley Girl, and got some MTV play with her cover of the Looking Glass' "Jimmy Loves Mary-Anne" (and I regard her version of that as the version). 

Alas, the units sold weren't sufficient to satisfy the weasels, and her 1986 album Everything Is Oh Yeah was not released at the time. It was retrieved and rescued in 2019 by the non-weasel Cleopatra label. Hooray for the non-weasels!

From Everything Is Oh Yeah, Dana selected our Josie's cover of the Ramones' "Sheena Is A Punk Rocker" for airplay, adding that it's still as fresh as anything this newfangled 21st century can offer, and that it sounds like it could have been Josie Cotton backed by the contemporary oomph of the Linda Lindas. Which would be a great idea.

Meanwhile: I'm ordering my own copy of Everything Is Oh Yeah, and Dana will be playing another cut off that album on our next show. Can't let the weasels win, man. Can't let the weasels win.

CLIFF HILLIS: Good Morning And Goodnight


Of course, new songs likewise provide an ongoing opportunity to expand the ol' playlist. The new Cliff Hillis single "Good Morning And Goodnight" was co-written by long-time TIRnRR Fave Rave Kelley Ryan, who also sings along with Mr. Cliff on this engaging little number. A check of the archives shows we've played three other Cliff Hillis tracks--"Madeline," "Turn On A Dime," and his cover of Tommy Roe's "Dizzy"--at some points in our first 24 years on the air. We need to play more, and we will. We'll start with another play for "Good Morning And Goodnight" next week.

ABBA: On And On And On


Some of our listeners dig ABBA, and some do not. We're still working on politely bludgeoning the non-believers into compliance. But man, I heard this song last month on Michael McCartney's fabulous show The Time Machine (on Maui's Mana'o Radio), and I knew we needed to get it into one of our own playlists as soon as we possibly could. Thanks for the inspiration, Michael!

LOVE: 7 And 7 Is



KAI DANZBERG FEATURING DEAR STELLA: Let Him Go
THE FORTY NINETEENS: Crocodile Tears


How in the world could it be that we've never played either of these Big Stir Records singles? We need a better class of minions. Or, first, I guess we need minions. None of these acts is exactly a stranger to TIRnRR; Dear Stella's simply superlative "Time Machine" was one of our most-played tracks in 2020, we've played a bunch of stuff by the Forty Nineteens (including "Late Night Radio," the A-side of "Crocodile Tears"), and a bunch of Kai Danzberg works, too. Still: any record you ain't heard (or played) is a new record. Looking for new? These are as good as new.

TAJ MAHAL: E Z Rider


Taj Mahal was always a little bit outside my sphere of familiarity. I don't recall hearing him on the radio, though I betcha some FM station may have played a Mahal track or two when I wasn't paying attention. When I was a teenager in the '70s and when I managed a record store in the '80s, I saw Taj Mahal LPs on the racks, but didn't even think about investigating the sounds. There were so many punk and power pop and hyphenate-rock releases to occupy my starry eyes and eager ears; an artist filed under BLUES wasn't toppermost of my poppermost.

I'm not sure when Taj Mahal's music finally did enter my sovereign airspace, but he's been an occasional star in our playlists over the past year or so. I was particularly taken with "Ain't That A Lot Of Love" (which he also performed on The Rolling Stones Rock And Roll Circus) and his ace cover of Dave Dudley's country touchstone "Six Days On The Road." I had these as digital tracks, but in October I added a CD of his 1968 album Taj Mahal to my library of physical media. More to come.

THE RAMONES: I Wanted Everything

Yet another Ramones track we somehow failed to program until now. In 2001, as a freelance writer for Goldmine magazine, I reviewed Rhino's CD reissues of the first four Ramones albums, and I regret to say I gave short shrift to their incredible fourth album Road To Ruin

I disavow that now.

Sure, Road To Ruin was heavier than its rockin' pop punk predecessors Ramones, Leave Home, and Rocket To Russia, but it ain't exactly metal, dig? And it is as absolutely, utterly unforgettable as the first three Ramones albums. "I Just Want To Have Something To Do." "I Wanna Be Sedated." The bubblecountry experiment "Don't Come Close," the twangy ballad "Questioningly," the cover of the Searchers' "Needles And Pins," the breathless rush of "She's The One"...Great googly-GABBA-GABBA!-moogly, this stuff is great. WHAT WAS I THINKING...?!

So I've been listening to Road To Ruin again. I first heard the album late in 1978, when Rochester radio station WCMF-FM played the record in its entirety. It was a midnight album spin, and I sat in the suite area of my college dorm room, my new girlfriend Brenda dozing, her head on my shoulder. I just want to have something to do. 

And I wanted everything.

Brenda and I had just started dating. We're still together now. For Christmas this year, knowing that 2023 was looking to be a big Ramones year for me, Brenda gave me a Ramones hoodie and a Road To Ruin jigsaw puzzle. The road to ruin? That's not the path we traveled, but it is the soundtrack we chose. And another Road To Ruin track will make its belated TIRnRR debut next week. 

Yeah: I wanted everything. I got it. Here's to the road, and its rewards. The pieces come together when they can.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

Thursday, July 29, 2021

THE GREATEST RECORD EVER MADE: 7 And 7 Is


This is a variation of a previously-published piece, modified ever-so-slightly to serve as a chapter in my long-threatened, probably doomed, but not dead yet book
The Greatest Record Ever Made! (Volume 1).

An infinite number of songs can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!


LOVE: 7 And 7 Is
Written by Arthur Lee
Produced by Jac Holzman
Single, Elektra Records, 1966

I had discovered the music of Arthur Lee's group Love in the early '80s. I'd read about them somewhere, and snagged a used copy of their eponymous debut album literally off the floor at Brockport's Main Street Records around, I dunno, '82 or so. I picked up a greatest-hits set called Love Revisited after moving to Buffalo, and became enthralled by this furious, fascinating proto-punk tune called "7 And 7 Is." 

If I don't start cryin' it's because that I have got no eyes
My father's in the fireplace and my dog lies hypnotized
Through a crack of light I was unable to find my way
Trapped inside a night
But I'm a day and I go
Oop-ip-ip, oop-ip-ip
YEAH!

Yeah, I had no idea what the hell it was about, and I woulda sworn that last bit above was an eloquent Batman-inspired Boom-biff-biff, Boom-biff-biff YEAH! rather than some [chuckle] non-sensical "oop-ip-ip" jazz. Obviously. But it didn't matter what the words were or what the song meant. It was a freakin' force of nature, it demanded high volume, and I played that damned track with manic devotion. I wasn't using the phrase yet in the '80s, but damn, this was clearly The Greatest Record Ever Made.


Researching the group to the extent one could research such things in the '80s, I learned a little, little bit about Love, and about the group's embattled leader Arthur Lee. I read comparisons to the Byrds, to the Doors, even to the Beach Boys, none of which seemed entirely accurate. I read of Love's album Forever Changes, said to be one of the essential masterpieces of '60s rock. I don't recall seeing any reference to Lee's race, though the notion of a black man fronting a mostly-white rock group was certainly unusual in that scene. The most rewarding research was just to listen to the music Love made. 

A friend who was dating the girl who lived upstairs from me gave me his copy of Love's 1970 album False Start, which featured Jimi Hendrix on its leadoff track "The Everlasting First." I don't remember how long it was before I acquired a copy of Forever Changes. But I had that debut album, and I had Love Revisited. My turntable got to know "Can't Explain," "She Comes In Colors," "Signed D.C.," "Alone Again Or," and "My Little Red Book" very, very well. It most especially got to know "7 And 7 Is."


This may seem a non sequitur, but it's relevant: In 1985, I saw the Bangles for the first time. Their live set included an incendiary rendition of "7 And 7 Is." My jaw dropped. My fist raised itself without needing me to will it so. The Bangles. Love. "7 And 7 Is." It was unexpected. And it was awesome!

Looking back, it shouldn't have been all that unexpected. I knew of the Bangles' roots in '60s nuggets, and I wasn't exactly shocked that they chose to cover Love. It was still a surprise, a pleasant surprise. That night, the Bangles said their version of "7 And 7 Is" would be on their next album. I regret that did not come to pass.


The Ramones also covered "7 And 7 Is," on their 1993 all-covers album Acid Eaters. When I interviewed the Ramones for Goldmine in 1994, I mentioned to C. J. Ramone that I'd seen the Bangles cover the song live in 1985, and that they'd intended to record it. He was surprised. "That's wild!," he said, clearly impressed with the notion that the Bangles did a song as cool as "7 And 7 Is."

They did indeed, C. J. And yeah, it was unexpected, but it shouldn't have been. The Bangles loved the '60s. The Bangles loved Love. 

And I loved Love. I played their original version of "7 And 7 Is" on my first attempts to host radio shows in the '80s, my basic training for This Is Rock 'n' Roll Radio in subsequent decades. Then, as now, Love makes my world go around.

Oop-ip-ip, oop-ip-ip, YEAH!



TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

I'm on Twitter @CafarelliCarl

Wednesday, January 27, 2021

POP-A-LOOZA: Didn't Hear THAT Coming! (Unexpected Covers In Concert): The Bangles Sing Love

Each week, the pop culture website Pop-A-Looza shares some posts from my vast 'n' captivating Boppin' (Like The Hip Folks Do) archives. The latest shared post is a reprise of the most recent edition of Didn't See THAT Coming! (Unexpected Covers In Concert), this time recalling the night I saw The Bangles cover Love's "7 & 7 Is."

With this post yesterday, I began my second year as a contributor to Pop-A-Looza. Last January, Pop-A-Looza's Dan Pavelich asked me if I'd be willing to share some of my posts on his site. Okeydokey! I've been corresponding with Dan for years, playing his bands The Bradburys and The Click Beetles on This Is Rock 'n' Roll Radio with Dana & Carl, supporting his comic strip Just Say Uncle on Patreon, and cheering on behave of his varied efforts. It has been a blast for me to be a part of Pop-A-Looza.

I announced my affiliation with Pop-A-Looza on January 23rd, 2020. And here's a list of all of my shared Boppin' Pop-A-Loozas to date.


I'm In Love With A Sound
The 1966 Batman Paperback
10 Songs
The Everlasting First: Buddy Holly
The Blue Beetle # 6
The Everlasting First: The Jam
Comic Book Retroview: Superboy # 129
Michael & Micky: A Wish For A New Studio Album By The Monkees
Coffee
To Beat Or Not To Beat
The Greatest Record Ever Made! The Wonders, "That Thing You Do!"
MTV's Remote Control
The Other Side Of The Hit (B-Side Appreciation): Yoko Ono, "Kiss Kiss Kiss"
Justice Society Of America: The Movie
The Bands That Would Be Kinks
The Everlasting First: Star Wars, The Sandman, The Silver Surfer, The Spider, Spy Smasher, and The Seven Soldiers Of Victory
10 Songs
Read The Movie
The Monkees' Good Times!
Spider-Man, Spider-Man (My Marvel Comics Try-Out)
Unfinished And Abandoned: Catch Us If You Can, The Bay City Rollers Movie That Never Was
Dennis O'Neil
The Greatest Record Ever Made! The Kinks, "You Really Got Me"
The Archies: An American Band
Movies In My Mind: Jukebox Express
Hamilton
Badfinger, "Day After Day"
The Everlasting First: E-Man
The Greatest Record Ever Made! The Knickerbockers, "Lies"
Diamonds Are Forever
Guilt-Free Pleasures: The Monkees, "I Never Thought It Peculiar"
Red-Eyed And Ravenous: Brand Name Me
The Other Side Of The Hit: The Go-Go's, "Surfing And Spying"
Dear Superguys (or: I Was A Teenaged Comic Book Letterhack)
The Greatest Record Ever Made! Dusty Springfield, "I Only Want To Be With You"
Cereal Infidelity
The Everlasting First: Cheap Trick
The One That Got Away! The Dave Clark Five, Glad All Over Again
My First Freelance Writing Sale: A History of DC Comics' The Secret Six
5 Above: The Kinks In The '70s
Rejection Accepted: Trying (And Failing!) To Write For DC Comics In The '70s And '80s
My Illegal Records
Virtual Ticket Stub Gallery: The Beatles Live, 1976
The Way I Talk (brought to you by pop culture)
The Other Side Of The Hit: The Ramones, "Babysitter"
The Game Of The Name
Faces On The Wall
LP Cover Cavalcade # 1
Comic Book Cover Cavalcade # 1
The Greatest Record Ever Made! The Beatles, "Rain"
LP Cover Cavalcade # 2
The Everlasting First: Batman
Rescued From The Budget Bin! Heavy Metal (24 Electrifying Performances)
Pat Boone: The Rock And Roll Hall Of Fame
The Greatest Record Ever Made! Baron Daemon and the Vampires, "The Transylvania Twist"
This Mask, This Candy Bar
The Greatest Record Ever Made! First Aid Kit, "America"
5 Great Movie Songs (from films I either didn't like or never saw)
The Everlasting First: The Sex Pistols
This Man, This Marvel: A Guy Named Stan
A Neil Young Story
All The World's A Stage
The Greatest Record Ever Made! Johnny Nash, "I Can See Clearly Now"
The Everlasting First: The Inferior Five
This Pen For Hire! My Guest Appearances In Other Writers' Books
The Everlasting First: The Ohio Express
The Everlasting First: Not Brand Echh
The Greatest Record Ever Made! The Ramones, "I Don't Want To Grow Up"
Well Hello There, Famous Person!
Yoko Ono For Christmas
The Greatest Record Ever Made! Eytan Mirsky, "This Year's Gonna Be Our Year"
Didn't Hear THAT Coming! The Flashcubes Sing Herman's Hermits
Jeopardy!
Didn't Hear THAT Coming! David Johansen Sings Donna Summer
Superpulp Paperbacks
The Greatest Record Ever Made! David Bowie, "Life On Mars?"
The Pulps

And that's my first year's worth of Boppin' Pop-A-Loozas. Year # 2 starts with The Bangles covering a '60s nugget by Love, the latest Boppin' Pop-A-Looza.


TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1). My weekly Greatest Record Ever Made! video rants can be seen in my GREM! YouTube playlist. And I'm on Twitter @CafarelliCarl.

Thursday, May 7, 2020

Didn't Hear THAT Coming! (Unexpected Covers In Concert): THE BANGLES, "7 And 7 Is"

Didn't Hear THAT Coming! (Unexpected Covers In Concert) discusses songs I was surprised to hear covered in a live show by an act I'd gone to see.

Cover songs can add zip and spark to a rock 'n' roll group's live repertoire. In their earliest gigs, most groups start out playing covers, and integrate more of their own original material into their sets as they play more dates, develop more of an identity, and attract more fans with an interest beyond just hearing bar-band interpretations of songs associated with other acts. It's a basic long-term strategy for groups hoping to get noticed, to get somewhere; there's a reason The Rolling Stones cut back on Chuck Berry songs and started writing their own material.

Still, a well-placed cover tune can enhance a live set, while the wrong choice can result in irritating a fan who doesn't want to hear a fave rave act pandering to a lower common denominator. Whether it works or falls flat, the unexpected cover prompts us to say, "Wow--didn't hear THAT coming!"


THE BANGLES: 7 And 7 Is [Love]



The hit 1980s group The Bangles. The broad Nuggets niche of 1960s garage, punk, and psychedelia. Never the twain shall meet.



Those of us with even a perfunctory knowledge of pop history know the above statement is nonsense. The Bangles drew significant and obvious inspiration from the sounds of the ‘60s, notably from The Beatles and from the decade’s Laurel Canyon axis of SoCal pop music, from The Byrds to Buffalo Springfield to The Mamas and the Papas. The Bangles were originally part of L.A.’s Paisley Underground, one of many Los Angeles acts in the early ‘80s professing and practicing a devout, pervasive connection to a vibrant rock ‘n’ roll scene that came nearly two decades before them. Maybe much of the general public couldn’t automatically draw a line from ‘60s touchstones like Pandora’s Box or Riot On The Sunset Strip to this distaff Fab Four mugging through “Walk Like An Egyptian” on MTV. Fine. But you and me? We know better. The Bangles had more in common with The Standells and The Electric Prunes than with virtually any of their Reagan era Top 40 contemporaries.

 K

The Bangles’ eponymous 1982 EP included four originals, plus one cover, "How Is The Air Up There?," a '60s obscurity originally done by The Changin' Times in '65, and later recorded by The La De Das, for whom it was a hit in their native New Zealand in 1966. The Bangles at that time were guitarists Vicki Peterson and Susanna Hoffs, bassist Annette Zalinskas, and drummer Debbi Peterson, Vicki's sister. The Bangles wore their '60s loyalties like a badge of honor.




The EP was my introduction to The Bangles. I don’t recall if I read about them in the rock press or heard them on Buffalo’s WBNY-FM before I bought the record, but I was an instant fan. I remained a fan as Zalinskas moved on, as Michael Steele replaced her on the four-string, and as the group signed with Columbia Records for their first full-length album, 1984's All Over The Place.



My God, I loved All Over The Place. The original songs were fantastic, the two covers (of The Merry-Go-Round's "Live" and Katrina and the Waves' "Going Down To Liverpool) were sufficiently obscure that I thought they were both originals, and the album will always be among my all-time favorites. The group's tour in support of The Continental brought them to Buffalo for a show at left-of-the-dial nightclub All Over The Place, and I can testify that The Bangles were a solid live act. I don't remember a lot of specifics, but I know I enjoyed it, and I know they covered Mose Allison's "I'm Not Talking," with Michael Steele taking the lead vocal. I knew the song from The Yardbirds, and I guess that would qualify as an unexpected cover in concert.

But it wasn't as unexpected as hearing The Bangles cover "7 And 7 Is," a song written by Arthur Lee and originally recorded in 1966 by Lee's band Love.



I had discovered the music of Arthur Lee's group Love in the early '80s. I'd read about them somewhere, and snagged a used copy of their eponymous debut album literally off the floor at Brockport's Main Street Records around, I dunno, '82 or so. I picked up a greatest-hits set called Love Revisited after moving to Buffalo, and became enthralled by this furious, fascinating proto-punk tune called "7 And 7 Is." 



If I don't start cryin' it's because that I have got no eyes
My father's in the fireplace and my dog lies hypnotized
Through a crack of light I was unable to find my way
Trapped inside a night
But I'm a day and I go
Oop-ip-ip, oop-ip-ip
YEAH!

Yeah, I had no idea what the hell it was about, and I woulda sworn that list bit above was an eloquent Batman-inspired Boom-biff-biff, Boom-biff-biff YEAH! rather than some [chuckle] non-sensical "oop-ip-ip" jazz. Obviously. But it didn't matter what the words were or what the song meant. It was a freakin' force of nature, it demanded high volume, and I played that damned track with manic devotion. I wasn't using the phrase yet in the '80s, but damn, this was clearly The Greatest Record Ever Made.



And now, live in 1985, The Bangles were performing on stage, right before my eyes. My jaw dropped. My fist raised itself without needing me to will it so. The Bangles. Love. "7 And 7 Is." It was unexpected. And it was awesome!

Looking back, it shouldn't have been all that unexpected. I knew of The Bangles' roots in '60s nuggets, and I wasn't exactly shocked that they chose to cover Love. It was still a surprise, a pleasant surprise. That night, The Bangles said their version of "7 And 7 Is" would be on their next album. I regret that did not come to pass.



The Bangles' commercial status took a dramatic upturn with their second album, 1986's Different Light. The album's first single "Manic Monday," written by Prince (under the pseudonym "Christopher," I guess because "Bernard Webb" was already spoken for), became the group's first hit, a # 2 smash. Different Light is a very good record, but it seemed slicker and less exuberant than All Over The Place. It was an '80s album. All Over The Place had felt timeless. Nonetheless, I cheered as this band I loved invaded the pop charts and Top 40 radio. Their success was deserved.

When The Bangles' Different Light tour brought them back to Buffalo again, their higher profile had allowed them to graduate to a larger venue, The Rooftop in South Buffalo. Alas, I got my wires crossed about when The Bangles were scheduled to go on, and they had finished more than half of their set before I strolled in. Damn it.



The 2014 archival CD collection Ladies And Gentlemen...The Bangles! preserves concrete evidence that The Bangles covered "7 And 7 Is" in live shows, proof positive in the form of a 1984 live recording of Love via The Bangles. While most folks recall The Bangles as frothy '80s video divas, I remember them as music fans made good, playing songs they loved in whatever venue was available. Their 1987 cover of Simon and Garfunkel's "Hazy Shade Of Winter" was a bigger hit than the original. Even on New Year's Eve of 2000, when The Bangles appeared on Dick Clark's New Year's Eve TV bash, they still surprised by pulling out a cover of The Velvet Underground's "I'm Waiting For The Man." The Bangles were nobody's empty-calorie cupcakes.



The Ramones also covered "7 And 7 Is," on their 1993 all-covers album Acid Eaters. When I interviewed The Ramones for Goldmine in 1994, I mentioned to C. J. Ramone that I'd seen The Bangles cover the song live in 1985, and that they'd intended to record it. He was surprised. "That's wild!," he said, clearly impressed with the notion that The Bangles did a song as cool as "7 And 7 Is."

They did indeed, C. J. And yeah, it was unexpected, but it shouldn't have been. The Bangles loved the '60s. The Bangles loved Love. 

Oop-ip-ip, oop-ip-ip, YEAH!



WHEN DIDN'T HEAR THAT COMING! RETURNS: The Dark Return Of LET'S ACTIVE



TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1) will contain 134 essays about 134 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).