Showing posts with label Mynah Birds. Show all posts
Showing posts with label Mynah Birds. Show all posts

Saturday, November 16, 2024

5 ABOVE: Bands Who Were ALMOST Famous

5 Above picks five great things within a specific category. Look out below--these are five that rise above.

As my nearly half-dozen regular readers are aware, I recently decided to cut back on blogging, reducing my posting schedule from its clinically stupid daily frequency to three or maybe four posts a week. So, of course, right after walkin' away from the ol' Bop a day grind, the latest episode of one of my favorite podcasts compels me to slap together a fifth post this week. Just when I think I'm out....

The podcast is Only Three Lads, the weekly celebration of classic alternative music from the '70s through the '90s. For this week's O3L, hosts Uncle Gregg and Brett Vargo, along with guest Third Lad Alex Boucher, discussed their choices for the top five bands who were almost famous. It's a fascinating subject, it made for a fascinating show, and it made me want to compile my own Top 5 list.

It's difficult for me to separate the idea of great bands who were almost famous from the idea of great bands who were unfairly obscure. They're similar categories, but not quite the same. The "almost famous" qualifier suggests we're specifically talking about acts who seemed poised to grab the brass ring in some big and spectacular way.

Before we get to my Top 5, let's mention a few acts who are just outside our chosen parameters:

TOO SOON!

The Remains and the Mynah Birds should be legit contenders to top anyone's list of rock's all-time Almosts, but both groups had their brief careers in the 1960s, predating the O3L era. The Remains were Boston's most popular rock combo in the mid '60s, and they seemed to have it all: Songs, talent, charisma, a major label deal, national TV exposure, and oh, by the way, THEY OPENED FOR THE BEATLES in 1966. They had everything but record sales. 

The Mynah Birds, with future superstars Rick James and Neil Young, were set to be Motown's first rock group, but they broke up when James was arrested for being AWOL from Uncle Sam.

THEY WERE FAMOUS! Then they weren't

The Cowsills and the Bay City Rollers had huge hits (in the '60s and '70s respectively), but the public at large was uninterested in their second acts. The Cowsills' 1998 album Global is my # 1 favorite album of the '90s, yet it's been an obscure rarity until its recent deluxe reissue.

When the Bay City Rollers' lead singer Les McKeown left the group at the end of the '70s, the remaining Rollers recruited new lead singer Duncan Faure, shortened their name to just "the Rollers," and released some very fine rockin' pop records that sold a metric bupkis.

FAMOUS...later

The Ramones. Icons now, so we can't claim they're a mere almost. At the time, though, they did not receive anywhere near the recognition or record sales they deserved.

And now...MY list of the Top 5 almost-famous bands of the O3L era.

5. ARTFUL DODGER

Artful Dodger released three albums on Columbia in the '70s, then a fourth (the long outta print Rave On) on Ariola. Live and on record alike, the group seemed like an irresistible cross between the best of Badfinger and the best of the Faces. I don't think I'd ever heard a note of their music before catching them at a club show in '79, but their performance nailed everything worth nailing. Goosebumps. Goosebumps, and a raised fist. Although they hailed from Virginia, I understand they were big, big stars in Cleveland, where they received notable FM radio exposure. The stardom did not translate elsewhere.

4. THE PANDORAS

There were at least two distinctly different phases of the Pandoras' career in the '80s. The original line-up was a proud product of the garage, armed with Nuggets-inspired attitude and a fantastic original song called "It's About Time." That version of the Pandoras exploded into rock and dust after just one album. Founding member Gwynne Kahn went on to form the magnificent Mad Monster Party, the single best '80s group that no one got to hear. Paula Pierce formed a new Pandoras group, which included Kim Shattuck, later of the Muffs.

Paula's version of the Pandoras recorded a brilliant pop album (Stop Pretending) for Rhino Records, and the group was subsequently signed to Mercury. They recorded an album called Come Inside, bigger things appeared imminent, but the record was never released. Mercury dropped the Pandoras without ever issuing even a single Pandoras track.

3. THE NEW YORK DOLLS

Everything I know and love about punk rock owes its rambunctious genesis to the New York Dolls. No Dolls? That would mean no Ramones, no Sex Pistols, no Clash, no punk scene, no new wave scene, no alternative scene; just something bland and boring in its place. The Dolls weren't built to last, but man, they were important, and man they were kickass fun. And they looked fine on television: Go watch 'em on YouTube clips from The Midnight Special, cavortin' and paradin' in America's face like they were--book it!!--The Next Big Thing. Stars. STARS!, I tell ya!

America turned its face to...well, probably to something bland and boring. The New York Dolls are not in The Rock And Roll Hall Of Fame. Odds are they never will be. 

2. THE FLASHCUBES

Yeah, I know. Syracuse's own power pop powerhouse the Flashcubes never came close to breaking out, only released a couple of singles during their original 1977-1980 lifespan, never got a record deal. What's so almost famous! about that?

You. Weren't. There.

In the '70s, Flashcubes fans like me absolutely and completely believed the group was going to be huge. They were such a great live band, they wrote such irresistible songs, they had such sheer rock 'n' roll presence, that we all knew--knew--their stardom was inevitable. On paper, sure, I guess they never came all that close. But in our hearts, our imaginations? The first time I saw them, I was certain it was like seeing the Beatles at The Cavern

A few years back, I wrote a what-if story about what could have happened if the Flashcubes had achieved the success they deserved. But in that imaginary world, the Flashcubes stopped being Flashcubes. Our real world still has the Flashcubes--score a rare win for the real world! They're working on new recordings. I heard one of the new songs a couple of days ago, and it's guaranteed to be one of my favorite tracks in 2025.

Fame. Pfui. Who needs fame when you have the Flashcubes?

1. THE RUBINOOS

In this discussion of bands who almost hit it big, the Rubinoos are my unchallenged # 1. Unlike the Flashcubes, the Rubinoos did come tantalizingly close to the top, top, top of the pops. Their 1977 cover of Tommy James and the Shondells' "I Think We're Alone Now" missed the Top 40 by just five notches, and they seemed on the brink of mega success. I saw 'em on American Bandstand! They had the look, the image, the spirit, the chops, the charm...everything. 

And they had the songs. "I Wanna Be Your Boyfriend" is like THE surefire # 1 hit that, y'know, didn't even chart. Didn't. Even. CHART?! Oh, the humanity! Hey, hey, you, you, I wanna see a recount!

But like the Flashcubes, the Rubinoos are still with us, still making extraordinary music, still putting on incredible live shows. I wish more people knew about them. 

But I'm glad I know about them.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Saturday, June 15, 2024

10 SONGS: 6/15/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1237

THE SHIRTS: Move On Groove On

Hey Carl! Dig THIS!

Over a span of years--decades, really--most music fans have benefitted from inspiration and specific recommendations to discover new (or at least new-to-us) sounds: New records, new artists, new discoveries, each a fresh revelation even when it happens to be a record released before we were born. Any record you ain't heard is a new record.

I benefitted from friends and family, from helpful and knowledgeable folks at record stores, and from mass media. Rock magazines. Radio stations. The pursuit of buzz. I'm still on the hunt for all of it.

Alas, no one hipped me to the Shirts in the '70s. A few live tracks on the Live At CBGB's various-artists set were the only Shirts material I recall hearing at the time, and that didn't grab me like, say, Bowery scene contemporaries the Ramones, Blondie, and Television grabbed me. i didn't get hip to how GREAT the Shirts were until the '90s at the earliest, whenever it was that I snapped up a used CD reissue of the Shirts' eponymous debut album from 1979.

Instant thrall. Maybe I said to myself, Hey Carl! Dig THIS! I know I cursed the passage of a couple of decades that I had wasted by delaying my entry into Shirts fandom. But what the hell--I'm there now. Any record you ain't heard....

Through all of that, I certainly didn't think it likely that I would ever be able to enjoy a brand-new Shirts release. 

But the Shirts are back! The Shirts' new single "Move On Groove On" retains the spunk and sass of the old days, sidestepping nostalgia and just, y'know, doing. NEW SHIRTS! And they fit just fine. Dig THIS!

(All of the above also applies to "Move On Groove On" 's virtual B-side "Deux Royale;" we opened this week's show with "Move On Groove On" and programmed "Deux Royale" near show's end. In between, we supplemented our Shirts appreciation with recent fave rave "The Man Behind The Man With A Gun" by Shirts guitarist Arthur Lamonica's group Rome 56 and another spin of the '79 Shirts nugget "Tell Me Your Plans." The Shirts return to TIRnRR next week. The digging never stops. Our overcompensation has gotta start somewhere.)

THE FLASHCUBES: Nothing Really Matters When You're Young
THE SPONGETONES: Have You Ever Been Torn Apart?


IYKYK

AMOS MILBURN: Down The Road Apiece


My new book The Greatest Record Ever Made! (Volume 1) is due out on July 10th, and it's available for preorder right now (as mentioned here). The book does not include a chapter about "Down The Road Apiece" by Amos Milburn; maybe I'll get around to writing that chapter for Volume 2But Milburn's record is mentioned at least twice in Volume 1, within my chapters about Big Mama Thornton and Ike and Tina Turner

Why? Because I insist that Amos Milburn's 1947 recording of "Down The Road Apiece" is the very first rock 'n' roll record. It predates Fats Domino's "The Fat Man" (1949) and Jackie Brentson and his Delta Cats (1951), the latter really Brentson singing with Ike Turner's group. 

No one can tell me "Down The Road Apiece" ain't rock 'n' roll. If there was something earlier that rocks like this does, I haven't heard about it yet.

THE ANDERSON COUNCIL: Connection
THE MIGHTY LEMON DROPS: Paint It Black


A twin spin of Rolling Stones covers, starting with the Anderson Council's "Connection" (from the ace current tribute compilation Jem Records Celebrates Jagger & Richards) and barrelin' into the Mighty Lemon Drops' 1988 live performance of "Paint It Black." Wet paint connection! 

(Wet paint connection is like the rainbow connection except, y'know...black! Black as night! Black as coal! Connect away.)

THE MYNAH BIRDS: I Got You (In My Soul)


The Mynah Birds were signed to Motown in the mid '60s, and the group was fronted by a then-unknown Rick James and also included the likewise then-unknown Neil Young. The Mynah Birds broke up due to extracurricular circumstances--James was busted and incarcerated for being AWOL from the military--and Motown opted to let the group's recordings remain in the vault. Young went on to Buffalo Springfield and, I guess, did some other stuff after that. 

Unlike Amos Milburn's "Down The Road Apiece," I did complete a chapter about the Mynah Birds' originally-unreleased 1966 classic "I Got You (In My Soul)." It was written as part of a chapter about "Super Freak" by Rick James, a piece I later split into two separate chapters. "Super Freak" is in the book; "I Got You (In My Soul)" is in reserve, but you can read it here.

And I still can't get my head around the idea of what might have been. Rick James and Neil Young. That coulda been something else, man.

COTTON MATHER: The Book Of Too Late Changes

The Greatest Record Ever Made!

sparkle*jets u.k.: Box Of Letters

Man, I like this track. "Box Of Letters" is the current single from sparkle*jets u.k., and it turns out that it's also going to be the title track from their imminent (but not soon enough) new album. We debuted the single last week. We played it again this week. It notches up its third consecutive TIRnRR appearance this coming Sunday night. Sometimes it's best to think inside the box. Sparkle is as sparkle does.

GRAHAM PARKER AND THE GOLDTOPS: Back To Schooldays

Although it would be inaccurate to call the great Graham Parker a punk rocker, the irascible 'n' irrepressible vibe of some of his 1970s material places him (at the very least) on punk's periphery. Parker wasn't a punk...but a lot of punks loved him. This punk sure did.

As such, GP was among the first artists I ever heard within this broad not-really-a-category category of the punk-adjacent. In my senior year of high school, 1976-77, WOUR-FM in Utica, NY was playing Parker's "Hotel Chambermaid," and they were also playing Nick Lowe's "So It Goes." In the summer of '77, WOUR added the Sex Pistols' "God Save The Queen" to its parade of Hey, Carl! Dig THIS!! revelations. None of these three sounded at all like the other two. The common ground was attitude. 

The shared trait was transcendence.

Graham Parker is, of course, still at it, gloriously still at it, and still a reliable resource for Hey, Carl! Dig THIS! Graham Parker and the Goldtops' 2023 album Last Chance To Learn The Twist was one of the year's highlights, and our friends at Big Stir Records have just issued another digital single from that record.

The A-side, "Last Stretch Of The Road," is the de facto source of its album's title, and it scored TIRnRR airplay last year. Its B-side is a searin' live version of GP's classic 1976 rocker und roller "Back To Schooldays." 

I don't remember whether or not we've ever played Parker's original studio version, but we're playing the new live version now. Hey, listeners! Dig THIS! 

Label at your own risk. But perhaps there are still more chances to learn the Twist.

Dig?

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's book Gabba Gabba Hey! A Conversation With The Ramones is available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book The Greatest Record Ever Made! (Volume 1) will be published in July. Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Saturday, May 20, 2023

10 SONGS: 5/20/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1181. This show is available as a podcast.

THE RAMONES: Blitzkrieg Bop/Teenage Lobotomy/California Sun/Pinhead/She's The One [live]

We begin Part 2 of our three-week salute to THE RAMONES AT THE MOVIES with the eleven-minute five-song live medley from their 1979 film Rock 'n' Roll High School. Well, it's referred to as a medley, and it's all a single track on LP, CD, digital download, or streaming, but each individual song is complete. Because the Ramones could do five songs in eleven minutes. Obviously. The laws of physics do not apply to the Ramones.

Also obvious: eleven minutes of live Ramones music is a great way to open a rock 'n' roll radio show. Hey-ho!

Following a 45 B-side in 1977 and the fantastic It's Alive album (released earlier in '79 but recorded in '77 with original drummer Tommy Ramone), this was the third live Ramones performance to see legit issue. And it was the first with Tommy's replacement Marky Ramone, who had joined your Joey Ramone, Johnny Ramone, and Dee Dee Ramone in time for the 1978 studio album Road To Ruin

Drumming for the Ramones is a challenge. Marky Ramone rose to that challenge.

THE MIDNIGHT CALLERS: Baby Let Me Be

Man, we love the Midnight Callers. Hell, we've been fans of the group since their earlier incarnation as Chris Paine and the Lettertrain, and even before that we followed Paine and fellow MCer Julien Budrino in their previous combo London Egg. The Midnight Callers' 2020 debut album Red Letter Glow gave us the TIRnRR Fave Rave "41 Miles To Roscoe," and we've playlist-programmed the group's ace contributions to Jem Recordings' John Lennon, Brian Wilson, and Pete Townshend tributes. "Baby Let Me Be"--the first single off their forthcoming album Rattled Humming Heart--is very likely to follow suit. We played it this week. We're playing it again next week. We call it a hit, at any time of day.

POPSICKO: No Better Time

Popsicko's "No Better Time" (from their excellent archival set Off To A Bad Start) has been in my brain a lot lately, for no other reason than because it's insanely catchy and irresistible. There can be no better reason. And no better time.

GAME THEORY: Linus And Lucy

And that's what This Is Rock 'n' Roll Radio is all about, Charlie Brown.

THE RAMONES: Do You Wanna Dance

As much as we associate Rock 'n' Roll High School with the Ramones, actress P. J. Soles was the film's actual star, playing Riff Randell, teen rock 'n' roller. But the Ramones are at the heart of it all, and I can't imagine how the movie would have played with its previous intended band Cheap Trick (or director Allan Arkush's teen fantasy of a making a movie with the Yardbirds), nor how producer Roger Corman's original concept of Disco High could have succeeded on any aesthetic level. The essential nature of the Ramones' involvement here reminds me of what Roger Ebert said about the Beatles' first movie: if A Hard Day's Night had been shot in color, but was otherwise identical, frame by frame, it would not have been the same classic (and classic feeling) film as it is in black and white. The iconic black and white images of the Beatles are an essential part of A Hard Day's Night, just as the Ramones are central to Rock 'n' Roll High School.

Ramones music plays throughout the film, mixed with treats by Chuck BerryEddie and the Hot Rods, Devo, MC5, Alice Cooper, Brownsville Station, the Velvet Underground, and more. Joey, Johnny, Dee Dee, and Marky have brief "acting" bits, and five on-screen musical appearances. When we first see them, they lip-sync "I Just Want To Have Something To Do," and they show up in a dream sequence in Riff's bedroom--nice work if you can get it--serenading her with "I Want You Around." We played both of those tracks on last week's show. Then comes the in-concert sequence mentioned up top. 

The Ramones return for two more songs at the film's climax. The first of the two is "Do You Wanna Dance," a cover of the familiar rock 'n' roll classic. For a very, very long time I regarded this as my all-time favorite cover of anything by anybody. And while I've kinda shifted my allegiance to the Ramones' cover of Tom Waits' "I Don't Want To Grow Up," I still wanna dance.

Don't you?

THE MYNAH BIRDS: I Got You (In My Soul)

The Greatest Record Ever Made!

THE RAMONES: Rock 'n' Roll High School

Like Riff Randell says in the movie, Hit it, MARKY! The Ramones play the title tune that Riff wrote for them, the school blows up, and authority is soundly defeated. A happy ending all around.

THE FLASHCUBES: Got No Mind/Dizzy Miss Lizzy

Presenting Big Stir Records recording artists the Flashcubes in their natural habitat, recorded live at The Firebarn in Syracuse, May 1979. I was (and remain) a huge, huge fan of the 'Cubes, who occupy a point in my rock 'n' roll trinity alongside the Beatles and the Ramones. Anecdotal evidence suggests that I was not in attendance at this particular Firebarn show, but I had seen the 'Cubes many times before that and many more times going forward. And I saw them a little over a month after that Firebarn gig, July 6th of 1979, playing on a bill with the Ramones at the first Central New York screening of Rock 'n' Roll High School.

The Flashcubes have a new album, Pop Masters, due in August. It's beyond great, and I can't wait for you to hear it. Meanwhile, knowing that 'Cubes guitarist Paul Armstrong was bringing his other group 1.4.5. to Syracuse to play at last Saturday's release party for my new book Gabba Gabba Hey! A Conversation With The Ramones--the party raging on before this week's show aired but after it was recorded--I wanted to include the single most Ramones-influenced song the Flashcubes ever created. 

That would be Paul's "Got No Mind," carrying the DNA of "Teenage Lobotomy" and "Rockaway Beach" and applying shock treatment as needed. The live version is best, that Firebarn performance preserved on the album Flashcubes On Fire, segued perfectly into the 'Cubes covering Larry Williams via the Beatles. The Beatles, the Ramones, and the Flashcubes. 

My trinity.

I did not expect 1.4.5. to perform "Got No Mind" at my book release party. Happy surprise! We'll hear a track from Pop Masters on our next show.

THE RAMONES: I Believe In Miracles

Part 2 of our salute to THE RAMONES AT THE MOVIES concludes with the defiant and chillingly determined (if unexpected) optimism of "I Believe In Miracles." The Ramones lip-synced the song in the otherwise-horrible 1994 feature film remake of Car 54, Where Are You? Outside of Rock 'n' Roll High School, I'm pretty sure this was the Ramones' only on-screen appearance in a non-documentary motion picture.

With the Ramones' appearances in Rock 'n' Roll High School and Car 54, Where Are You? now addressed, THE RAMONES AT THE MOVIES will conclude next week with four Ramones tracks heard in non-Ramones films. That starts with a little something from a 1979 flick called That Summer! Chewin' out a rhythm on our bubblegum, this Sunday night on TIRnRR.

No, not that rendition of the chewin'-on-my-bubblegum thing. C.C. Ramone has retired from the stage.

PERILOUS: Rock & Roll Kiss

Drummer Paul Doherty was an early cheerleader for my Ramones book. This status goes back a couple of years, when the book was still a secret known only to a few people. Given that, there was no freakin' way I was gonna attempt a book release party without enlisting the services of Paul's group Perilous.

Both Perilous and 1.4.5. rocked the 443 last Saturday, as I knew they would. It was my first opportunity to witness Perilous in concert, and man, did they ever deliver! We played their 2022 TIRnRR Pick Hit "Rock & Roll Kiss" on this week's show. We'll play their brand new single next week, as well as music from 1.4.5. and a track apiece from two of Perilous' seed groups, the Trend and Pauline and the Perils

Ya wanna get loud? Okay, we can get loud. It's as simple as 1-2-3-4!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Saturday, March 4, 2023

THE GREATEST RECORD EVER MADE: I Got You (In My Soul)

This was prepared as Part One of a two-part entry for my long-threatened book The Greatest Record Ever Made! (Volume 1). Neither part is in the book's current shorter blueprint. If Volume 1 happens, I would aim to include this chapter and its Part Two brother in a Volume 2Part Two will post here next week.

An infinite number of tracks can each be THE greatest record made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!


THE MYNAH BIRDS: I Got You (In My Soul)

Written by Ricky Matthews [Rick James], John Taylor, Mike Valvano, and R. Dean Taylor
Produced by R. Dean Taylor and Mike Valvano
Recorded in 1966, originally unreleased; included on the various-artists collection Motown Unreleased: 1966, Motown Records, 2016

The Mynah Birds' story is one of pop music's most intriguing almost/what-ifs. The group included both Rick James and Neil Young, and they were set to release a single of "It's My Time"/"Go On And Cry" on Motown in 1966. We can debate genre labels, but I think the Mynah Birds would have been Motown's first rock group. Instead, the single's release was cancelled when James was arrested for being AWOL from the Navy. The Mynah Birds ended, Young and fellow group member Bruce Palmer wound up joining Buffalo Springfield, and Rick James went on to craft '70s and '80s punk funk of his own after leaving the hoosegow.


What might have been? "It's My Time" is a strong pop single, and while there's no guarantee it would have been a hit even if it had been released, one wonders how things could have played out differently. The handful of Mynah Birds tracks that surfaced decades after the fact are intriguing, and I wish we could have been enjoying those tracks, along with more that were never made, over all these years that have passed. I wouldn't want to sacrifice Buffalo Springfield. But the Mynah Birds coulda been something.

That "something" is particularly evident in the track "I Got You (In My Soul)." A bluesy number that would not have sounded at all out of place on an early Yardbirds or Stones album, "I Got You (In My Soul)" could have brought the vintage sound of Chess Records to Motown, infused with the energy of the R 'n' B faction of the British Invasion. Instead, circumstances consigned it to the vault for decades. All four of the Mynah Birds tracks that Motown eventually exhumed for compilations in the 21st century have been fascinating; if there's more stuff still to be unearthed, I would be delighted to give Motown some of my hard-earned cash in exchange for a Mynah Birds album.

NEXT WEEK: Part Two, about a very kinky girl.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available for preorder, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!!

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl