Showing posts with label Linda Lindas. Show all posts
Showing posts with label Linda Lindas. Show all posts

Saturday, August 17, 2024

10 SONGS: 8/17/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1246.

JAMIE HOOVER: War Of The Roses

Jamie Hoover's new single "War Of The Roses" presents a tale of uncivil war, the aftermath of a D-I-V-O-R-C-E that can not be called amicable. Hearts will be broken tonight, as will some joint bank accounts, and maybe some dishes while they're at it. C'mon, Roses! Can't we all just get along?

The story is told with the accomplished pop panache we expect from Jamie Hoover. Oooo, and the song was co-written by long-time TIRnRR pal Rich Rossi, with backing vocals from TIRnRR Fave Rave Elena Rogers. That's a This Is Rock 'n' Roll Radio trifecta, and we'll say that on the air this coming Sunday night when "War Of The Roses" returns to the playlist. (And an open memo to the estranged Mr. and [ex-] Ms. Rose: Curb your lawyers. Lay down your arms. War is over. If you want it.)

CIRCE LINK AND CHRISTIAN NESMITH: The Magician

The dynamic duo of Circe Link and Christian Nesmith are so, so adept at the art of popcraft. Everything they do sounds sublime, and their powers and abilities cross genres with authority. Pop music? Classic rock? Folk? Circe and Christian can do it all, and all of it will sound amazing.

That statement applies equally to their ventures into the realm of progressive rock. I'm not a prog guy by any stretch, but man, I love what Circe Link and Christian Nesmith are able to execute while cavortin' in that vast and inventive playground. In the past, they've demonstrated their prog love and chops with well-chosen covers, and with their original prog album Cosmologica in 2021. Their new album Arcana continues and expands that vision.

Prog as pop. The music of Yes was certainly a part of my Top 40 AM radio world in the early '70s, and a chapter discussing my love-hate relationship with Pink Floyd appears in my book The Greatest Record Ever Made! (Volume 1). Even with my short attention span and my enthusiastic embrace of punk, I still recall and recognize prog's appeal, especially when a progressive rock track employs hooks and palpable melody, the irresistible qualities that make the very best rockin' pop music. 

Arcana has those qualities in quantity. The songs sound like they could have comprised a hypothetical second LP of Fragile, but with Circe Link replacing Jon Anderson at the microphone. The result is endlessly captivating, almost as if Yes had formed a supersupergroup with Annie Haslam and Renaissance. And this week, we break format just a little bit to program the exquisite eleven-plus-minute Arcana track "The Magician."

Magic. 

Even this unrepentant punk can't resist that

sparkle*jets u.k.: Little Circles

This week's episode of the Material Issues podcast found hosts Mark Hershberger and David Bash welcoming Michael Simmons, Susan West, and Jamie Knight from the mighty sparkle*jets u.k. As always with Material Issues, a splendid time was forcefully mandated for all. (That guarantee may not apply next week, when I'll be the guest on Material Issues, hawking the above-mentioned Greatest Record Ever Made! book. I'm hoping there will be at least a few fleeting moments of interest to you, the discerning rockin' pop fan.)

sparkle*jets u.k.'s recent release Box Of Letters is most definitely one of this year's very best albums, and you hear all about it on this week's Material Issues. We've certainly been programming Box Of Letters with manic glee on our little mutant radio record party. The album's title tune is likely to score a berth on the year-end countdown show of our most-played tracks in 2024. With this week's spin of "Little Circles," we have now played seven of the twelve selections included on Box Of Letters. We'll add an eighth from Box Of Letters on Sunday. 

After that: Four more to go! Plus, y'know, additional play for the title ditty. It's a hit!

We play the hits.

THE MONKEES: Love Is Only Sleeping

The Greatest Record Ever Made!

THE LINDA LINDAS: Too Many Things
JOSIE COTTON: Sheena Is A Punk Rocker


A couple of weeks ago, Dana and I recorded an upcoming appearance on Only Three Lads, the fab weekly podcast devoted to classic alternative rock of the '70s, '80s, and '90s. During the course of our conversation with O3L hosts Brett Vargo and Uncle Gregg, we mentioned Josie Cotton's cover of the Ramones' "Sheena Is A Punk Rocker," from Cotton's recorded-in-the-'80s/released-in-friggin'-2019..?! gem Everything Is Oh Yeah. And Dana commented that he'd love to see our Josie team up with young punks the Linda Lindas for more Ramones-inspired Rock 'n' Roll High School razzmatazz.

GREAT idea!

And we used that idea to program a two-fer spin of an advance track from the Linda Lindas' forthcoming album No Obligation into Ms. Cotton's rendition of the Ramones' nonpareil statement of New York City really having it all. Oh yeah, oh yeah...EVERYTHING'S oh yeah! 

THE GLADIOLAS: Little Darlin'

While on O3L, we also talked briefly about the Gladiolas' forgotten original of "Little Darlin'," a song subsequently whitewashed to chart success by the neither R nor B likes of the Diamonds.

At the time we recorded the podcast, I didn't realize that "Little Darlin'" had been written by Maurice Williams, who was a member of the Gladiolas and who later achieved chart-topping success with Maurice Williams and the Zodiacs and the # 1 smash "Stay."

As we were working on this week's radio show, the news broke that Maurice Williams had passed. The playlist had already been set, but it was an easy feat to slip the classic "Stay" in at show's end, and not too late to alter our eighth set so it could open with the Gladiolas' "Little Darlin'." These are some of the giants upon whose shoulders we stand. 

Tribute must be paid.

THE RAMONES: She's The One

Writing in Bomp! magazine in '78 or '79, Greg Shaw referred to "She's The One"--a track from the Ramones' then-new album Road To Ruin--as the group's "best fast song ever."

And lemme tell ya: The Ramones did more than just a few fast songs.

In the Gladiolas section above, we invoke the importance of paying tribute. Well, every single TIRnRR playlist is part of an ongoing tribute to the Ramones--the American Beatles, the greatest American rock 'n' roll band of all time--and that tribute is true even on those rare weeks when we don't play any Ramones songs. It's true even on the annual celebrations of Dana's Funky Soul Pit. And that's not just because our show is named after a line in a Ramones song; it's because we wouldn't be doing any of this if not for the Ramones. More than any act outside of the Beatles themselves, the Ramones are our template for what rock 'n' roll radio can be. 

So we offer tribute. Easy as 1-2-3-4! Yeah yeah it's the one, it's the one, it's the one.

ELENA ROGERS: Alone (Again)

We opened the show with a track featuring Elena Rogers on backing vocals. And we opened the week's final set with Elena herself on lead, from her wonderful current album Prelude To Whatever

Gotta pay tribute to the new stuff, too.

MAURICE WILLIAMS AND THE ZODIACS: Stay

Just a little bit longer. Tribute is proper. Godspeed, Maurice Williams.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available; you can see details here. My 2023 book Gabba Gabba Hey! A Conversation With The Ramones is also still available, courtesy of the good folks at Rare Bird Books

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Thursday, February 10, 2022

10 SONGS: 2/10/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.


This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1115.

CHEAP STAR: Flower Girl


Man, ya gotta appreciate a band that creates its name by mashing up the monikers of power pop touchstones
Cheap Trick and Big Star. Playin' directly into the ol' TIRnRR demographic. Rather than bludgeoning the idea by calling their new album Heaven City or Radio Tonight, Cheap Star's latest is Wish I Could See, and we opened this week's extravaganza with a spin of "Flower Girl." Intrepid TIRnRR listener Mike Browning found the track pleasantly reminiscent of Nada Surf, and we approve of that message. 

BALLZY TOMORROW: Double Our Numbers


Everyone's musical pal Robbie Rist is a big fan of Parthenon Huxley. That's a right worthy thing to be, and our own story of falling under the delightful thrall of P. Hux was told way back here. My favorite among Parthenon Huxley favorites is the sublime "Double Our Numbers," an absolutely irresistible little--no, BIG!!--number that appeared on Parthenon's 1988 album Sunny Nights. We know Robbie also loves the song; he's said so more than once, and several years ago he posted a video of himself performing an acoustic cover of the song. More recently, Robbie recorded a new version of "Double Your Numbers" under his nom du pummel Ballzy Tomorrow. It's a wonderful cover of a wonderful song. I wish some sort of Powers That Be would return Sunny Nights to proper retail availability, and I really wish more and more people recognized "Double Our Numbers" as the rockin' pop classic it is. In the mean time: take it, Robbie! 

THE LINDA LINDAS: Growing Up


All last year, we routinely referred to the young quartet called the Linda Lindas as "the buzz band of 2021." It looks like Bela, Eloise, Lucia, and Mila have their eye on claiming 2022 as well, with the forthcoming release of their first album, Growing Up. The album's due in April, but available for preorder right now. The preorder gets you the title track (and previous single tracks "Oh!" and "Nina") in that very same right-now time frame. GO! Get it! Buzz waits for no one.

PALMYRA DELRAN AND THE DOPPEL GANG: Lucky In Love


For someone who is--in theory!--wired into the phantasmagoric splendor of today's now sound, it's appalling how much stuff I just miss. Y'know, if I could afford to pay attention, I would pay attention. Will attention accept an IOU?

Case in point: this yummy digital single from Palmyra Delran and the Doppel Gang. "Lucky In Love" (virtually backed by a cover of Tuff Darts' tres pop "Who's Been Sleeping Here?") came out a freakin' year ago, and I just managed to hear it in this far-future world of 2022. I need better minions. Or maybe some minions. A minion. Or at least something resembling peripheral awareness.

Ah, but any track you ain't heard is a new track, and "Lucky In Love" is for damned sure worth waiting for anyway. Famed rocker and Underground Garage personality Palmyra's gang o' doppels includes the one 'n' only Michael Lynch, and both tracks are as fab as fab can be. Fabber, even. I wish we'd played 'em last year. We're happy to play 'em now.

TONY VALENTINO: Barracuda


Like many of my fellow Americans, my first exposure to
the Standells was when the group guest-starred as domestic ersatz Beatles on a 1964 episode of TV's The Munsters, wherein unassailable pop pundit Herman Munster indicated he would sleep easier knowing the future of our country was in the hands of fine young men like the Standells. They would go on to become one-hit wonders for "Dirty Water" in 1966, but they also had a number of lesser chart hits that deserved wider notoriety. The rise of the Nuggets critical aesthetic in the '70s and '80s brought an embrace of '60s garage and punk, and that embrace proudly acclaimed Standells perennials like "Riot On The Sunset Strip," "Why Pick On Me," the pounding "Dirty Water" B-side "Rari," and (my favorite) "Sometimes Good Guys Don't Wear White."

Guitarist Tony Valentino was a founding member of the mighty Standells, and he's still active as a recording artist for Big Stir Records. Tony made his post-Standells TIRnRR debut as a guest of the Forty Nineteens, playing on that group's single "Late Night Radio" (which then appeared on the Forty Nineteens' 2021 album New Roaring Twenties). Now, Tony returns with a new single, offering a new version of the Standells' "Barracuda." Somewhere, Herman Munster is smiling. Right here, we're smiling, too.

THE JIVE FIVE: Hully Gully Callin' Time


While the Jive Five's biggest hit was the 1961 doo-wop gem "My True Story," TIRnRR's go-to Jive Five track has generally been "What Time Is It?," a dreamy recording that earns a place in my long-threatened book The Greatest Record Ever Made! (Volume 1). We've played a couple of other Jive Five selections over the years, but this week offers the first-ever TIRnRR spin of "Hully Gully Callin' Time." And it makes its way to the playlist because I discovered that one of the song's credited songwriters was one Joyce Cafarelli. I have no idea whether or not this Joyce Cafarelli was any distant relation to my family--Third Cousin Joyce? Honorary Aunt Joyce? Jivin' Sister Joyce, who never writes, never calls, never shows up at weddings or funerals?--but I can state with some authority that we have yet to see any royalties. Hey! Joyce! What about your family...?!

(Oddly enough, though I'm actually pretty sure I'm not really kin to Joyce Cafarelli, the song's title does make me remember something about my Dad. Dad wasn't really a rock 'n' roll fan, saying he preferred "pre-Pearl Harbor music" to the bangin' and twangin' that captured his youngest son's fancy. In our sporadic and amiable conversations about the rock and the roll, Daddy almost always made some reference to the Hully Gully. Like, many times, over the course of decades. Coincidence? I think so. But...maybe not? It would be a cool connection if true.

DUSTY SPRINGFIELD: I Only Want To Be With You


THE MONKEES: Listen To The Band


No, it was not a surprise when the Monkees were once again snubbed by this year's list of nominations for The Rock And Roll Hall Of Fame. Just because the RnRHOF nominating board is clueless doesn't mean we have to be. Listen to the band.

THE BLUSTERFIELDS: Insomnia


Let's talk about the Blusterfields. The North Carolina lads' debut album The Vicious Afterglow opens with all the bluster 'n' aggro of an arena show, but all in service to a higher pop calling. You've got your sway. You've got your hooks. You've got your volume, and you've got your sweet, anthemic-sounding singalong vocals. The Blusterfields do not seem to be lacking in confidence, and their confidence is justified. Let's talk about the Blusterfields. And let's say those three little words we need to say: Turn. It. UP.

TODD RUNDGREN: Couldn't I Just Tell You


Todd Rundgren's essential double album Something/Anything? just turned an ever-spry 50 freakin' years old. I'm not quite the Todd fan that many of my peers are, but I am very fond of a number of individual things he did, including his '60s days with the Nazz and his '80s Fab Four pastiche Deface The Music. I've owned a copy of Something/Anything? for more than 40 years, a set secured when I traded a gift of Eagles' Greatest Hits for this sprawling 2-LP magnum opus

I got it specifically for "Couldn't I Just Tell You." I had seen Rundgren perform the song 
with Utopia on a 1978 TV appearance on The Mike Douglas Show. Our Todd introduced it as "an example of the latest musical trend. It's called power pop." I knew the song before that, but this was when it really grabbed my attention. Here's an excerpt from the song's entry in The Greatest Record Ever Made! (Volume 1):

"Even though 'Couldn't I Just Tell You' wasn't a hit, I knew the song from somewhere. Maybe it got some play on WOLF-AM, falling into the airwaves in between our Todd's big hits 'I Saw The Light' and 'Hello It's Me' [both from Something/Anything?]. Maybe I picked up on it some time later, perhaps as an older track dusted off for a fresh spin by an FM radio DJ after I switched preferred frequencies.

"I wasn't necessarily a Todd Rundgren fan, at least not specifically. He was fine, but aside from hearing "Hello It's Me" and later his remake of the Beach Boys' 'Good Vibrations,' he wasn't really part of my conscious pop thought. I knew him more as a guy who (I'd read somewhere) sported multi-colored hair, and whose ladyfriend was Playboy centerfold Bebe Buell. I liked him, but didn't think much about him.

"But that song....

"'Couldn't I Just Tell You' lurked within the gauzy borders of my subconscious, a welcome guest however it was that it got there. It settled comfortably in my mind's terra incognita, itself a phrase I picked up from a girl I fancied. I could have sung the song to her if I'd thought of it.

"The tentative dance of teen infatuation, captured in microcosm, made pretty with the sound of (apparently) the latest musical trend.

"Seeing and hearing Utopia perform 'Couldn't I Just Tell You' on The Mike Douglas Show in '78 brought all of this subconscious thought to the surface, elevating the song immediately and forever thereafter to my own Top of the Pops. Immediately after the show was over, I phoned another girl I knew, just to say, Did you see THAT...?!

"By 1978, my eighteen-year-old self had already suffered and--damn me--inflicted some broken hearts. I had also discovered a name for my favorite sounds: power pop. The latest musical trend. Todd Rundgren may not have thought much of it. I sure did. And on this song, Todd Rundgren accomplished it, fully and with great authority. Why don't you lend me an ear, I'll make it perfectly clear, I love you. Harmonies and guitars. A crush can lead to more. And it can sound magnificent, regardless of whether or not it ever starts to trend."



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ou can support this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, December 28, 2021

10 [or maybe 11] SONGS: 12/28/2021; THIS IS ROCK 'N' ROLL RADIO's 10 Most-Played Tracks In 2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs collects previously-posted entries about each of This Is Rock 'n' Roll Radio's 10 most-played tracks in 2021, as revealed on our countdown show 12/26/2021.

1. KELLEY RYAN: The Church Of Laundry

1/26/2021: This Is Rock 'n' Roll Radio has been happily aboard the Kelley Ryan bandwagon since 2001, when Kelley (then recording under the boppin' dba astroPuppees) placed a track on Shoe Fetish, a fabulous tribute to the pop group Shoes. We began to correspond with Kelley, and astroPuppees' first TIRnRR spin was from Shoe Fetish, a cover of Shoes' "The Tube." Soon thereafter, we started playing a song called "Don't Be" (from astroPuppees' 1996 album You Win The Bride), which I recalled hearing in the 1997 TV movie Friends 'Til The EndFriends 'Til The End was a movie I originally wanted to see because our pals Cockeyed Ghost made a don't-BLINK! cameo appearance. And in the film, actress Shannen Doherty lip-syncs to a made-for-TV cover of astroPuppees' "Don't Be." 

We've gone on to play many, many more astroPuppees and Kelley Ryan tracks many, many times over the course of these last two decades. We're pleased to continue playing Kelley's music, and we're delighted to serve up her new single "The Church Of Laundry" on this week's show. We're friends 'til the end.

2. KID GULLIVER: Forget About Him

11/17/2020: Red On Red Records is a new label operated by the divine Justine Covault, who is already known to the TIRnRR faithful as CRO (Chief Rockin' Officer) of the mighty Justine and the Unclean. And Red On Red fittingly sets our meters into the crimson zone with its first two single releases, "Half Life" by the Neighborhoods and "Forget About Him" by Kid Gulliver. "Half Life" was one of two tracks crowded out of this week's jam-packed show (and we hope the Neighborhoods will take comfort in sharing that distinction with "For Your Love" by the Yardbirds), but "Forget About Him" opened the broadcast with transcendent aplomb. We've already played Kid Gulliver's "I Wanna Be A Pop Star" a couple of times this year, and Kid Gulliver's Simone Berk also sings lead on WhistleStop Rock's TIRnRR Fave Rave "Queen Of The Drive-In." See? Simone Berk's established a proven record of quality tunemakin' for this little mutant radio show!

"Forget About Him" is even better. Justine Covault describes it with authority: Only one of the best power pop songs ever written, about the cad you need to lose. Awright, I'm sold. Here's to Simone. Here's to Justine. Here's to Kid Gulliver, and here's to Red On Red Records.

2/16/2021: We've been playing Kid Gulliver's current single "Beauty School Dropout" these past couple of weeks, but Valentine's Day made us feel like reaching back into Kid Gulliver's treasure trove o' hits. So we played an oldie. Some of you older people might remember it. It's from last year, and it's called "Forget About Him." Like Ian Hunter's "All Of The Good Ones Are Taken," "Forget About Him" is another anti-Valentine, this one told from the perspective of a concerned and compassionate friend and observer. Honey. You can do better than that loser, believe me.

3/23/2021: A spin of Kid Gulliver's fabulous "Forget About Him" on this week's show marks the 19th consecutive TIRnRR to include at least one track with a lead vocal by Simone Berk. It's not a TIRnRR record or anything--one presumes Ray DaviesJohn LennonPaul McCartney, and Joey Ramone could edge it--but it is evidence of our ongoing Berkmania. Simone made her TIRnRR debut on July 5th of 2020, fronting WhistleStop Rock's "Queen Of The Drive-In." We played that and a bit of Kid Gulliver over the course of subsequent weeks. But it was Kid Gulliver's "Forget About Him" that kicked off this current streak on November 15th, a Berk barrage also maintained by Kid Gulliver's recent single "Beauty School Dropout," WhistleStop Rock, Sugar Snow, and Berek/Lehane. "Forget About Him" is our favorite. Berkmania! Let's make it 20 in a row next week.

Carl's back!

3. DOLPH CHANEY: My Good Twin

2/16/2021: Dolph Chaney's ultraswell new album This Is Dolph Chaney is out this week, courtesy of the good folks at Big Stir Records, and of course you need to own it if you have any hope of ever being one of the cool kids. As an added bonus: you'll like it! The album's first single is "Now I Am A Man," and it's a worthy candidate for saturation airplay. But my favorite is "My Good Twin," so we're gonna carpetbomb the ol' playlist with that one instead. We're all winners in that situation.

3/2/2021: We've discussed this before, but it bears repeating: This Is Rock 'n' Roll Radio with Dana & Carl is built upon the stubborn, unshakeable delusion that it's an AM Top 40 radio show. We think we're Casey KasemAlan FreedCousin BrucieMurray the K, and Syracuse legends Don Bombard and Dandy Dan Leonard all rolled together into a single three-hour spin-a-rama. The concept is mutated by the fiction conviction that the Ramones were as big as the Beatles, that it's ALL pop music. We play the hits. The real world may not recognize them all as hits. Which just means that the real world is wrong once again. 

"My Good Twin" comes from Dolph Chaney's current album This Is Dolph Chaney. It has not been released as a single off that album, but it is indeed a hit single, in act if not in fact. We play the hits. We play Dolph Chaney. We know a hit when we hear one.

3/16/2021: East Coast kids like your intrepid Dana & Carl did not grow up listening to Rodney Bingenheimer on the radio. Nonetheless, I did know of Rodney via his column in Phonograph Record Magazine, which I absorbed with vigor when I was a 17-year-old high-school senior in 1977. I became aware of the importance of his weekly SoCal broadcast Rodney On The ROQ some time thereafter. To this day, I have never actually heard it; it currently airs on Sirius/XM's Underground Garage channel on Sunday nights, directly opposite This Is Rock 'n' Roll Radio. I acknowledge the fact that, whatever it is we do on our own little mutant radio show, Rodney was pursuing a similar rockin' pop format before we got around to doing it. TIRnRR predates Underground Garage, and its host Little Steven owes us a beer or two; Rodney On The ROQ predates us all. 

That said, we're kinda jazzed to realize that no less then four recent tracks that debuted on Rodney's show this week are tracks we've already been playing on TIRnRRthe Shang Hi Los' "Sway Little Player," the Gold Needles' "Billy Liar" and their cover of the Hollies' "Have You Ever Loved Somebody," and Dolph Chaney's "My Good Twin." 

We're doing something right

Yeah, first time for everything. Alert the media. We may have been the first show to recognize that "My Good Twin" is a natural-born radio hit. We're not the last. And Rodney Bingenheimer likewise knows a hit when he hears one.

4. THE LEGAL MATTERS: Light Up The Sky

2/23/2021: This Is Rock 'n' Roll Radio's long 'n' harmonious history with the Legal Matters was detailed here, as part of the expanded supplemental liner notes to our 2017 compilation This Is Rock 'n' Roll Radio, Volume 4. So! Word of a brand-new Legal Matters album perked up our ears and mandated a playlist spot for its advance single, "Light Up The Sky." The album, Chapter Three, is due from Futureman Records on April 30th, and it is a compulsory purchase for any breathing fan of rockin' pop music. Don't argue. Do what radio tells you to do. 

5. HAYLEY AND THE CRUSHERS: Jacaranda

2/9/2021: Aw man, this pumps! A couple of weeks ago, I don't think I'd even heard of Hayley and the Crushers, a California trio that describes itself as "poolside glittertrash," "one part punk-pop, one part sunny surf," and "a tsunami of bold, bad girl fun." See, I love it when the hype looks like something I would have written. Now, I wanna start a lucrative new religion based on their peppy single "Jacaranda." It also makes me want a rum and Coke, but really, what doesn't? "Jacaranda" comes from Haley and the Crushers' forthcoming Rum Bar Records release Fun Sized, and I'm eagerly awaiting the sacrament of MORE! 

8/10/2021: Another one of 2021's best tracks. You know how some great songs invade your consciousness at random moments?  Hayley and the Crushers' "Jacaranda" (from their current release Fun Sized on Rum Bar Records) doesn't need to invade my consciousness; it's already there! Always! The jacarandas are blooming! Fantastic, fantastic track, conjuring both the allure of ditching small-town doldrums for merrymakin' fun in the tropical sun and the dull frustration of being stuck firmly in place, with not a jacaranda in sight. Screw the small town.

8/17/2021: An ongoing illustration of TIRnRR's symbiotic benevolence is that sometimes either Dana or I will obsess with playing a specific song, and then the other one of us starts playing it, too. It's happened many, many times over the course of--gulp--1090 shows and counting; I credit Dana with getting me hooked on MannixAnny Celsithe StallionsMary Lou Lord, and many more. This week's playlist includes two examples of Dana running with a song that I'd been playing a lot. "Jacaranda" by Hayley and the Crushers is one of the two, and it remains a righteous blast of YEAH! on the radio, regardless of which one of us put it there.

6. LESLIE ODOM, JR.: Good Times

2/9/2021: If the account [in this video] portrays my teen self as a smug know-it-all, well...yeah. I really wish I'd grown out of that at some point. But I was never the only one of my peers who understood and appreciated pop music's larger picture. One such peer was a guy named Les Odom, whom I've previously mentioned in some detail here. Brenda and I were casual friends with Les and his girlfriend Yvette, and nowadays we're fans of their son, actor and singer  Leslie Odom, Jr. Leslie the Younger (best known for playing Aaron Burr in the original Broadway cast of Hamilton) plays Sam Cooke in One Night In Miami, and he's just riveting in the role. Watching him play Cooke conjured a random memory from more than forty years ago, when his dad and I had a brief discussion about Sam Cooke. It was a kick to remember that while watching the film, watching Les and Yvette's son bring this legendary singer back to life. Good times.

4/27/2021: Since this year's Oscar telecast happened to fall on a Sunday night--y'know, like always--we used that as an excuse to open our counterprograming exercise with a set of songs from movies. I love movies, but I'm not a movie buff, and I rarely get around to seeing many (sometimes any) of a given year's Oscar nominees. This is observation, not criticism nor confession. As always: dig what you dig.

I did see One Night In Miami..., a fascinating film about a true-life evening in 1964 when Sam Cooke, Malcolm XJim Brown, and Muhammed Ali (then still called Cassius Clay) got together. We don't know what they did or discussed that night, so the movie itself is fiction, but it's compelling fiction. And it scored a few Oscar nominations, including a Best Supporting Actor nod for Leslie Odom, Jr., who plays Cooke to mesmerizing effect.

This week's TIRnRR kicked off with Odom as Cooke, covering Cooke's "Good Times," becoming Sam Cooke in a way that transcends mimicry. Magic. And an Oscar nomination well, well deserved.

7. EYTAN MIRSKY: This Year's Gonna Be Our Year

7/9/2020: How did singer, songwriter, and dashing man about town Eytan Mirsky first learn about This Is Rock 'n' Roll Radio with Dana & Carl? Damned if I remember. But somehow he did hear about us, thought we might be interested in playing his stuff on the radio, and then sent us a copy of his second album, 1999's Get Ready For Eytan! We've been playing him ever since.

We've had a number of Eytan favorites over the years, but there is something just remarkable and special about "This Year's Gonna Be Our Year," a track from Eytan's 2012 album Year Of The Mouse. Like Big Star's "The Ballad Of El Goodo" and the Zombies' "This Will Be Our Year," even the Beatles' "Getting Better," it evokes an optimism that may not have any discernible grounding in the real world, but which still feels palpable and immediate. Eytan's song is considerably less starry-eyed than these other worthies, but its determined sense of one-foot-forward, what-the-hell ultimately makes it more plausible. The song knows we're gonna get kicked in the teeth again, that our individual Lucys are gonna pull the freakin' football away from us gullible Charlie Browns again, that the house has the deck stacked against us again and again and again...and it knows we're gonna keep hitting back for as long as our fists can form. Maybe this year? Well...why the hell not?

As a true zealot, I keep mentioning my concept of The Greatest Record Ever Made! An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. When I first began to seriously contemplate trying to turn this concept into a book, I knew a chapter on Eytan Mirsky's "This Year's Gonna Be Our Year" had to be in the book, and that it had to be employed in climactic fashion, something almost like a closing argument. In my eyes, the book would not make sense without that chapter near the end.

My book has been stuck in development, and COVID-19 has not helped its status. But I still believe in the project, and Eytan Mirsky's song is still at its core. This year? Next year? I'll have my year yet. One foot forward. What the hell.

12/16/2021: It's not ironic. It's not snarky or self-deprecating, it's not too-cool-for-school, nor any other nonsense that could detract from the purity of its message. Eytan Mirsky's "This Year's Gonna Be Our Year" is the audio equivalent of getting up in the morning, grabbing our coffee, and facing the day. Frequently, the day--the year--is gonna kick the livin' chicklets out of us. But we keep going. And we say to ourselves, "This year." We believe it in spite of all evidence to the contrary, and someday it may even be true. The year is what happens while we're busy making other plans. My Mom was proud of me. I intend to keep right on trying to justify that pride, in my own mind, year after year. Testify, Brother Eytan. Testify.

8. ARETHA FRANKLIN: Save Me

4/13/2021: Any record you ain't heard is a new record.

The recent National Geographic TV biopic mini-series Genius: Aretha Franklin introduced me to a 1967 Aretha album track called "Save Me." We all know the Queen of Soul's classic singles, but I don't really know many (if any) of her non-single LP cuts. Hearing the TV soundtrack cover of "Saved" compelled me to seek out and purchase Aretha's original. See, television's job is to sell records.

And it's a fantastic track. The riff is "Gloria." The horn part shares DNA with "Tell Mama" by Etta James. But it's Aretha becoming Aretha. The TV version's lyrical references to superheroes SupermanBatmanthe Green Hornet, and Black Panther also caught my attention, though I figured the latter reference was an anachronism; Black Panther had been introduced as a supporting character in the Fantastic Four comic book in 1966, and wasn't likely to have been known by anyone except Marvel Comics devotees when "Save Me" was recorded in '67. (The actual lyric in "Save Me" refers to the Caped Crusader, the Green Hornet and Kato, each of whom was also a TV star in the '60s.) 

"Save Me" is on I Never Loved A Man The Way I Love You, Aretha Franklin's first album for Atlantic Records, following a disappointing stint with Columbia. And the above reference to "Aretha becoming Aretha" is not made lightly; where Columbia didn't seem to know what to do with the natural force of Aretha Franklin, she came into her own at Atlantic. Aretha becoming ArethaSave me. The city is safe.

6/15/2021: Why does this lesser-known Aretha Franklin LP track from 1967 appear to be set on a collision course with our year-end countdown? Playlists are built on whatever groove we hear in our heads, regardless of whether or not anyone else can hear it as easily. "Save Me"'s mix of a "Gloria" riff with a casual lyrical reference to "the Caped Crusader, Green Hornet and Kato, too" establishes a groove that compels me to play it. Aretha's will. I am as Aretha made me. 

9. THE COASTERS: Yakety Yak

1/19/2021: Is "Yakety Yak" by the Coasters the single best-ever song about the generation gap? Yes. Unequivocally. You can argue on behalf of the Who's "My Generation," but that track falls short of The Coasters' wiseass pinnacle. Eddie Cochran's "Summertime Blues" is a very close second, but even You can't use the car 'cause you didn't work a lick can't quite match Tell your hoodlum friends outside you ain't got time to take no ride. "Yakety Yak." Don't talk back.

(And, in a minor bit of pop culture serendipity, this week's playlist was settled and the show recorded prior to the Friday premiere of the new Marvel Comics TV show WandaVision on Disney+. The first episode of WandaVision makes specific and effective use of "Yakety Yak," and if we were doing live shows instead of prerecorded remote shows, the song's appearance on WandaVision would have probably influenced me to include it on our show, too. Happy coincidence.)

10. THE LINDA LINDAS: Claudia Kishi

5/11/2021: Our appearance on The Spoon was mostly a talk show, a back-and-forth exchange fueled by giddy enthusiasm and (in my case) a cup of hot cocoa. But in addition to two examples of The Greatest Record You've Never Heard (tracks by the Flashcubes and Eytan Mirsky), the show opened and closed with songs also picked by us: an excerpt of the Bay City Rollers' "Wouldn't You Like It" at the top, and a complete spin of the Linda Lindas' "Claudia Kishi" at the sign-off spot. Whatta song! The Linda Lindas are a quartet of teen (and even preteen) musicmakers channeling the Muffs to engagingly lethal effect. Plus, they named their band after a song by Japan's Phenomenal Pop Combo the Blue Hearts! Acts that channel the Muffs and rip their noms du bop from the inspiration served up by other cool bands score automatic points on the TIRnRR WOW! scale. The Linda Lindas are a natural fit for whatever the hell it is we do.

(And, although my daughter Meghan was an avid fan of The Baby-Sitters Club books when she was younger, I did not recall that one of the series' main characters was named Claudia Kishi. So, add a literary reference to the many reasons why TIRnRR has just gotta play the Linda Lindas.)

BONUS TRACK!

11. THE FLASHCUBES WITH MIMI BETINIS: Baby It's Cold Outside

7/23/2021: We've been dyin' to tell folks about this for a while, and now the story's out: Syracuse's phenomenal pop combo  the Flashcubes have recorded a brand-new single, covering Pezband's '70s power pop classic "Baby It's Cold Outside." And, like all true pop fans, the 'Cubes get by with a little help from their friends. In this case, the friend is Pezband's own Mimi Betinis, who wrote and originally recorded the song for his group's 1977 debut LP.

The Pezcubes! The Flashband! The Flashpez Cubesband, and the Pezflash Bandcubes! This new version of "Baby It's Cold Outside" kicks, serving further proof that our janglebuzz heroes can still detonate a jukebox with the best of them. The single is out July 30th, courtesy of the visionaries at Big Star Records, and available to preorder RIGHT NOW. Go! Don't be left out in the cold on this one, baby.

More music from the Flashcubes in 2021--stay tuned!

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

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