Showing posts with label Ian Hunter. Show all posts
Showing posts with label Ian Hunter. Show all posts

Tuesday, February 16, 2021

10 SONGS: 2/16/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1064.

COCKTAIL SLIPPERS: St. Valentine's Day Massacre

Yes, opening a February 14th broadcast with Cocktail Slippers' incredible 2009 track "St. Valentine's Day Massacre" is an obvious choice. Sometimes the obvious choice is the right choice. From my maybe-eventual-maybe-not book The Greatest Record Ever Made! (Volume 1):

"...'St. Valentine's Massacre' is a welcome earworm, maddeningly catchy, sounding incongruously bouncy while reflecting on love's uncertainty and rushing fearlessly and fatalistically toward an affair's assured and imminent end. 

Am I still penciled in on your calendar?
Am I still the late night call when you've got nothing to say?
I know it's Thanksgiving night, and you say you love me
But who'll be the last lover standing come Saint Valentine's Day?

I'm thinking a box of chocolates isn't gonna cut it this time.

Little Steven Van Zandt's lyrics here imply a lovers' drama playing out in rapidly elapsing time. Was it adventure, was it fear, or sanctuary? Modesty Blaze's voice is tinged with both regret and resignation as she sings; behind her and with her, her band of sisters seems hellbent on holding an Irish wake for broken hearts. Across the calendar pages that fly by with cruel indifference--Thanksgiving night, Christmas morning, New Year's Eve--a love that can't even evolve from pencil to ink careens toward its inevitable erasure come the 14th of February. Now even your carrier pigeons have been picked off by the vultures/There's only one thing left for you to confess.... The song flies to its foregone conclusion on a conjugal bed of the most bittersweet la la la la lala las in rock 'n' roll history...."

DOLPH CHANEY: My Good Twin

Dolph Chaney's ultraswell new album This Is Dolph Chaney is out this week, courtesy of the good folks at Big Stir Records, and of course you need to own it if you have any hope of ever being one of the cool kids. As an added bonus: you'll like it! The album's first single is "Now I Am A Man," and it's a worthy candidate for saturation airplay. But my favorite is "My Good Twin," so we're gonna carpetbomb the ol' playlist with that one instead. We're all winners in that situation.

SAM COOKE: Win Your Love For Me

There have been several occasion where a song's cover used in other media has hooked me on the original. The Blues Brothers got me into Sam and Dave. I knew Buddy Holly's "Peggy Sue" and "Everyday" well before I saw 1978's The Buddy Holly Story, but actor Gary Busey's warbling in that film inspired me to immediately purchase the Holly collection 20 Golden Greats

On a similar note, I've known some of Sam Cooke's music (particularly "Chain Gang") for my entire life. Leslie Odom, Jr's star turn as Cooke in the recent film One Night In Miami...  nudged me toward supplementing my "Chain Gang" 45 with the Sam Cooke best-of CD Portrait Of A Legend, which in turn introduced me to Cooke's original rendition of "Good Times," a song Odom sings in the movie. The CD also includes "Win Your Love For Me," a wonderful tune I'd neither heard nor heard of prior to picking up Portrait Of A Legend, and it's now one of my favorite Sam Cooke songs. 

THE GOLD NEEDLES: I Get The Pressure

Here's another track from The Gold Needles' new album What's Tomorrow Ever Done For You?, which comes out this very week on the visionary Jem Recordings label. We've been playing its advance singles "Billy Liar" and "What's Tomorrow Ever Done For You?," and we're delighted to now add this boppin' li'l album track to our own Play-Tone Galaxy Of Stars. The album also includes capable covers of The Beatles and The Hollies, and seems likely to be an early candidate for more than a few year-end best-of lists come December.

IAN HUNTER: All Of The Good Ones Are Taken

An anti-Valentine! Ian Hunter's brilliantly wistful "All Of The Good Ones Are Taken" was an MTV fave rave in 1983, and it's an underrated gem in Hunter's vast collection of precious preciouses. As a public service, Boppin' (Like The Hip Folks Do) would like to remind you that Hunter's former group Mott the Hoople is not in The Rock And Roll Hall Of Fame. This proves that, in fact, all of the good ones have not yet been taken.

JUSTINE AND THE UNCLEAN: Scorpion Bowl To Go

Make it two Scorpion Bowls. And arrange an Uber for Justine and the Unclean. They should not be driving.

KID GULLIVER: Forget About Him

We've been playing Kid Gulliver's current single "Beauty School Dropout" these past couple of weeks, but Valentine's Day made us feel like reaching back into Kid Gulliver's treasure trove o' hits. So we played an oldie. Some of you older people might remember it. It's from last year, and it's called "Forget About Him." Like "All Of The Good Ones Are Taken," "Forget About Him" is another anti-Valentine, this one told from the perspective of a concerned and compassionate friend and observer. Honey. You can do better than that loser, believe me.

THE MONKEES: Valleri

"Valleri" was The Monkees' final Top Ten hit, a # 3 smash in 1968. Written by Tommy Boyce and Bobby Hart, legend has it that the intrepid tunesellers concocted the ditty on the fly when Golden-Eared Monkees impresario Don Kirshner told them over the phone he wanted a song with a girl's name as its title. Oh, fantastic timing, Donnie!, Boyce may have said. We just wrote a great one called...um, "Valleri!" Yeah, that's it, "Valleri!" Sure, we'll head right over and play it for you! See ya, Donnie! And then Boyce would have contacted Hart and said, Bobby! Get in the car, man! We on our way to see Kirshner, and we need to do some work on the way!

Not a true story? Oh, I don't care. It oughtta be true. And here's what I wrote about the song in a post about my 25 favorite Monkees tracks:

"Michael Nesmith famously dismissed this as 'the worst song I've ever heard in my life.' He also described 'What Am I Doing Hangin' 'Round?' as 'the bottom of the music,' so I'm thinking we shouldn't rely on Michael for an assessment of The Monkees' best. Granted, 'Valleri' really ain't much of a song; the lyrics are almost laughably simple (even by the loose requirements of pop music), and the music is just a guitar riff gussied up with horns. It all works together like wizardry, alchemy even, distinguished in no small part by some mesmerizing flamenco guitar by Louie Shelton. The original made-for-TV track sounds thin; the official single and LP cut benefits from fatter sound and a more confident and assured Davy Jones vocal."

THE YACHTS: Box 202


As much as I've learned about pop music over a span of decades, I must acknowledge the fact that I still have so much more to learn. The late '70s/early '80s British group The Yachts present a case in point. The Yachts were a group that I never really got to know at the time, even as I was absorbing so much great then-contemporary rockin' pop from the likes of The Jam, The Beat, The Romantics, Generation X, The Jags, The Undertones, Squeeze, and The Records. I remember the LP cover from The Yachts' lone American album; I don't recall hearing the music at all. Years later in 1993, their track "Yachting Type" was included on one of the CDs in Rhino Records' essential compilation series DIY, and that was my de facto introduction to Yachttunes.

When Paul Collins of The Beat and John Wicks of The Records visited TIRnRR in 2009, we chatted with Wicks about The Records' enduring classic "Starry Eyes." Wicks talked about writing this song as a kiss-off to The Records' soon-to-be-ex-manager, a bloke who at the time had seemed more invested in The Yachts' potential fortunes than in The Records' own career. I was aghast that anyone could ever think The Yachts were a bigger deal than The Records.

Dana's been playing The Yachts a lot on the show of late, and I'm starting to get it. The Yachts weren't better than The Records--let's not get crazy--but this is a fantastic and relatively uncelebrated stash of pop music. I'm happy to find out more about it, even all these years after the fact. See? Ya learn stuff listening to TIRnRR. Ya learn stuff co-hosting it, too.

THE 13th FLOOR ELEVATORS: You're Gonna Miss Me

This. As we talk here and on the radio about the concept of The Greatest Record Ever Made--an infinite number of songs can each be THE greatest record ever made, as long as they take turns--there are still some that deserve more frequent turns than others. Songs like "You're Gonna Miss Me" by The 13th Floor Elevators.

Heh. As if there was ever another song like "You're Gonna Miss Me' by The 13th Floor Elevators. Let's have my book take it from there:

"...With his '60s combo The 13th Floor Elevators, Roky Erickson sang of fire in the bones, of taking us to the empty place in his fire engine, of Easter everywhere. He was damaged. And with The 13th Floor Elevators, he gave us an incredible, unforgettable rock 'n' roll classic called 'You're Gonna Miss Me.'

'You're Gonna Miss Me' is acid made punk, as hallucinatory as Syd Barrett-era Pink Floyd, as badass as...anything, ever. It's the embodiment of the rock-critic concept of 1960s garage-built psychedelia, while sounding not quite like any of its peers. 

It could only have come from Texas. It profoundly influenced at least one son of the Lone Star State: Billy Gibbons, later to find fame slingin' his sharp-dressed six-string with ZZ Top. Contemporary to the Elevators, Gibbons played with a group called The Moving Sidewalks, whose own awesome single '99th Floor' couldn't have popped into being without 'You're Gonna Miss Me' providing a blueprint. 'You're Gonna Miss Me' has continued to glow in the dark for all subsequent generations seeking the sound of electric guitars crossed with electric sugar cubes...

...Immediate. Hypnotic. As tough as Detroit's MC5 or Stooges, as potent a warning as a sidewinder's rattle, as intoxicating as drinkin' wine, spo-dee-o-dee, drinkin' wine, goddamn. Welcome to Texas, muthas and bruthas...."

And welcome to The Greatest Record Ever Made.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.


The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1). My weekly Greatest Record Ever Made! video rants can be seen in my GREM! YouTube playlist. And I'm on Twitter @CafarelliCarl

Tuesday, September 8, 2020

10 SONGS: 9/8/2020

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.


This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1041.


T BONE BURNETT: Jellico Coal Man



I'm fascinated by the varying random ways in which we discover music. My discovery of this track was about as random as it gets. A co-worker was testing some wi-fi streaming audio thing that I don't actually understand, and without warning this majestic, hypnotic music enveloped my ears and inner monologue. There was only one rational response I could offer in reply to this sublime sound: What. Is. THIS...?!




"This" was "Jellico Coal Man" by T Bone Burnett. Based on a poem by Johnny Cash, Burnett composed the music and recorded the song for Forever Words, a 2018 compilation of various artists adding melody to Cash's words. "Jellico Coal Man" is simply wonderful, one of This Is Rock 'n' Roll Radio's most-played tracks in 2019, and it's something I would likely have never even heard if not for serendipitous happenstance. Fascinating.


EARTH, WIND & FIRE: Shining Star



When I think of rock 'n' roll or pop music movies, I have something specific in mind. I'm not thinking of documentaries or concert films, and I'm not really thinking of biopics (though I wouldn't necessarily exclude them); I'm thinking of films with some kind of storyline, however slight or substantial, where the musical element is the main thing but not quite the only thing. The Girl Can't Help It. Jailhouse Rock. Expresso BongoA Hard Day's Night. Head. Rock 'n' Roll High School. That Thing You Do! Bloodstone in Train Ride To Hollywood, or (if it had been completed) The Sex Pistols in Who Killed Bambi? Some are better than others, and some are terrible, but when thinking of beat flicks, these pop into my head before any performance film would.


(I mean, except for The T.A.M.I. Show, which is the perfect rock 'n' roll movie. I am large. I contain multitudes.)


Lovely wife Brenda and I recently watched the 1975 film That's The Way Of The World, which featured Earth, Wind & Fire in a supporting role (playing a group called...The Group). Maurice White and other members of the group--sorry, The Group--are fine with the little bits of acting required of them, though obviously it's their music that's the real shining star here.


The film itself is a low-key melodrama about the record industry, starring Harvey Keitel as a hotshot producer navigating the demands of his label, a Mob boss, his belief in (and commitment to) The Group, a (seemingly) clean-cut family act foisted upon him by his boss, and both the personal and professional desires of that act's pretty lead singer, Velour Page (played by actress Cynthia Bostick, a former Miss Kentucky whom a quick Google search indicates is a currently a Trumper, which is disappointing but in perfect keeping with her character in That's The Way Of The World).




Writing in the book Hollywood Rock, Marshall Crenshaw gave That's The Way Of The World a full five-star ranking, which seems a couple of stars too high for me. It is very much a '70s film, in its ambiance and in its pacing, its attitude, its curious mix of idealism and cynicism. I liked it for what it was: a hokey but interesting time capsule with some great music. Plus Bert Parks and Murray the K. It's on Amazon Prime if you're keen on seeing it for yourself.


And in one scene, EWF's "Shining Star" plays on the radio. That's sufficient motivation to get the track back on the TIRnRR playlist (in an alternate mix from the group's--arghh, THE GROUP'S--boxed set, The Eternal Dance). Shining star for you to see what your life can truly be. 


FOOLS FACE: Always The Last To Know




Pop fans have stacks 'n' stacks of stories about favorite almosts and shoulda-beens, cherished acts that seemed to have everything--everything--one could look for in a rockin' pop success story, missing only, y'know, the success part. Springfield, Missouri's Fools Face were a prime example, a nonpareil group that wrote great songs, reportedly put on dynamic live shows, made some fantastic independent records in the '70s and '80s, and did not get noticed. I own the only copies I've ever seen of their second and third albums, 1981's Tell America and 1983's Public Places, and I've only ever seen one other copy of their debut LP, 1979's Here To Observe. Tell America is an all-time Top 20 record for me.

The group's eponymous 2002 reunion album lived up to their legacy, and that album's "Always The Last To Know" is as good as anything released by anyone that year. Few heard it. Fools Face was the group's only studio album to be released on CD; it's now nearly as tough to come by as their old LPs.

IAN HUNTER: Soul Of America




Ian Hunter's Shrunken Heads was one of my favorite albums of 2007, and possibly my favorite of Hunter's long and storied career. Yeah, even including the absolute classic stuff he did with Mott the Hoople. I had the good fortune to see Hunter play with Mick Ronson at a club show in 1989--hey, Thanksgiving night at The Lost Horizon!--and I continue to marvel at the length and breadth of his career. Ian Hunter is, of course, not in The Rock And Roll Hall Of Fame.

"Soul Of America" from Shrunken Heads was requested this week by intrepid TIRnRR listener Dave Murray, as a long-distance dedication to Joe Biden. The soul of America. Vote blue.

THE LIKE: Release Me




I don't know anything at all about The Like, an all-female combo that was signed to Geffen Records earlier in this newfangled 21st century. I can only tell you that I heard the title tune from their 2010 album Release Me, and was immediately enthralled by its boppin' appropriation of '60s girl-group hooks within a vaguely alt-rock setting. Shoulda been a hit.

THE MONKEES: I'll Be Back Up On My Feet



This track from The Monkees' 1968 album The Birds, The Bees & The Monkees represents one of the first times I was aware that there could be different versions of the same song by the same group. I purchased the Bees LP at the flea market in the mid '70s, right around the same time I was re-connecting with the group's TV show via reruns on cable. Before long, I noticed that the version of "I'll Be Back Up On My Feet" on my album sounded very different from the version heard on TV. (I mean, aside from the fact that my Bees album skipped on that track, changing the line I won't disappear to I won't deeeear. Well. As long as you promise you won't.) No backing brass, different overall feel. I began to wonder about such variations, and in college wished that the TV version could be released. I got it on a bootleg in the early '80s, and of course Rhino eventually gave it a legit issue as part of the label's ongoing crusade to just take my money.

Oddly enough, I now prefer the album version. See, it sounds fine without the skip, Deeeear.

POP CO-OP: Persistence Of Memory



Oh, what a beautiful song. It sounds so frail and delicate, yet possessed of its own stubborn resilience, its steadfast remembrance of what was, the prevailing persistence of memory. From Pop Co-Op's most recent effort Factory Settings, Your Favorite Album Of 2020.

THE POPTARTS: I Won't Let You Let Me Go




The Poptarts were a terrific all-female quintet in the late '70s, playing in the same effervescent Syracuse scene as The Flashcubes, The Ohms, and The Tearjerkers. The '60s-influenced look and sound of The Poptarts presaged the successful formula of The Go-Go's in the '80s, but The Poptarts weren't able to break through, and disbanded without ever releasing any records. Their handful of demos, rehearsal tapes, and studio recordings have never seen official release.

"I Won't Let You Let Me Go" was the first song ever played on This Is Rock 'n' Roll Radio, kicking off TIRnRR # 1 on December 27th, 1998. We've played it again many times since then, and we usually favor the more energetic demo version. This week, we opted to play the studio version, produced by Bill Murphy. The members of The Poptarts hated the results of their studio sessions, with guitarist Cathy VanPatten once telling me that the producer "cut off our balls...and we didn't even have any!" 

But, just as The Poptarts anticipated The Go-Go's, their reaction to a producer's slightly slicker realization of their sound was later duplicated by the feelings of The Go-Go's when they first heard what producer Richard Gottehrer had done to their punk-bred approach. It must have been jarring. Nonetheless, Gotterher's gloss helped make The Go-Go's household names. I adore those records, and I wish The Poptarts had been able to achieve similar success.

Decades ago, in an overview of The Poptarts' recordings, I referred to Bill Murphy's work with the group as "woefully overproduced." While I still prefer the earlier demo versions, I've come to appreciate Murphy's valiant attempt to accentuate the first syllable in Poptarts. It's good stuff. I wish more people had a chance to hear it.

ROSETTA STONE: Drive On



I was and remain an unapologetic fan of The Bay City Rollers. The late Ian Mitchell was only in the Rollers for a very brief time in the '70s, so we wanted to pay tribute to him with a spin of something by his post-Rollers group Rosetta Stone. Rest in peace, Ian.

ANDY WILLIAMS: A Fool Never Learns



This Is Rock 'n' Roll Radio is also large enough to contain multitudes. This isn't the first time we've played this great Andy Williams track, nor is it the only Andy Williams track ever played on the show; I played "Moon River" on an all-vinyl edition of TIRnRR in 2017, sandwiched in between X and James Brown. Multitudes, I tell ya! "A Fool Never Learns" was written by former Buddy Holly collaborator Sonny Curtis, whose popcrafting resumé also includes "I Fought The Law" and the familiar Mary Tyler Moore Show theme song "Love Is All Around." The 1963 Andy Williams 45 of "A Fool Never Learns"/"Charade" was in the family record collection when I was a kid, and I've loved it since then. I have learned that there is nothing foolish about that.


TIP THE BLOGGER: CC's Tip Jar!


You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).