Showing posts with label Cookies. Show all posts
Showing posts with label Cookies. Show all posts

Friday, December 20, 2024

10 SONGS: 12/20/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1264.

THE ISLEY BROTHERS: Shout (Part One)

Confession time: If sports things play out the way I wish over the next several weeks, I will have unabashed divided loyalties on Super Bowl Sunday. I will, of course, be tuned into This Is Rock 'n' Roll Radio as always. But I'm a former resident of Buffalo, and if the Buffalo Bills make it to the Super Bowl, I'm gonna watch, and I'm gonna be shoutin' at the screen the whole time. The Bills make me wanna SHOUT! Not...always for the right reasons. Gimme the right reasons this year, team. Go, Bills!

THE PANDORAS: Melvin
THELMA HOUSTON: Don't Leave Me This Way


A song about a guy named Melvin, segued into a song originally done by an artist named Melvin. If that ain't art, there ain't art.

The Pandoras' "Melvin" is a gender-swapped cover of Them's punk classic "Gloria," but the switch didn't originate with the Pandoras. "Melvin" was first done in 1966 by the Belles, and the Pandoras brought the original's garage-girl grunge glory into their own '80s psych-revival milieu. We pray G-L-O-R-I-A and M-E-L-V-I-N are still together somewhere, and still spelling each other's name with a resilient spark in their eyes.


"Don't Leave Me This Way" was first done by Harold Melvin and the Blue Notes, and the Blue Notes' version (with its magnificent Teddy Pendergrass lead vocal) merits a chapter in my book The Greatest Record Ever Made! (Volume 1). Thelma Houston had the hit, which is far and away the best-known take on the song. Even when then-teen me hated disco, I still liked Thelma Houston's "Don't Leave Me This Way." We're ALL Melvin!

LIBRARIANS WITH HICKEYS: Hello Operator


I'm not sure if we've mentioned recently (nor often enough) how much we love the current Librarians With Hickeys album How To Make Friends By Telephone. "Hello Operator" was the album's first advance single a few months back, and it's still my favorite among a batch of How To Make Friends By Telephone favorites. SPOILER ALERT: We're gonna hear this track again on the countdown show. That's what phone-a-friends are for.

THE MONKEES: A Little Bit Me, A Little Bit You


Try as many a mastering engineer might, no CD reissue of this non-LP Monkees single has ever come within a light year of matching the sheer punch and power of the original Colgems Records 45. Most Monkees fans consider this a relatively minor entry in the group's history, a Neil Diamond composition that represented former producer/puppeteer Don Kirshner's last grasp of the Monkees' strings; B-side "The Girl I Knew Somewhere," written by Michael Nesmith and performed by the Monkees themselves rather than by session musicians, is ultimately more important, even though the A-side was the the hit. 

Kirshner's last stand? It's a really, really good last stand. And if consensus dismisses this as an inferior follow-up to Diamond's SuperMegaSmash Monkees hit "I'm A Believer," I actually like it better. Part of the reason is circumstantial: I just love the way the sound of my flea-market 45 jumps out of the speakers, loud and distorted in all the right ways, pounding and popping in a way no reissue has ever managed to recapture. "I'm A Believer" is a better song, and arguably a better record, but I feel a vibrant and pervasive connection to "A Little Bit Me, a Little Bit You," a connection its "Believer" big brother can't equal. 

(For a coincidental commentary on Kirshner's exit from the Monkees project, read the lyrics to this song as an approximation of what I think Kirshner shoulda said to the Monkees at the time. Except maybe not addressing the group as "Girl.")

THE COOKIES: Wounded

The Greatest Record Ever Made!

THE FLASHCUBES: Gone Too Far

Gone TOO far...?! Man, I'd say Syracuse's own power pop powerhouse the Flashcubes haven't gone far enough, at least not yet. There's some cool Cubic stuff brewing for 2025, so, y'know, don't go anywhere. Stay tuned.

THE 'B' GIRLS: Fun At The Beach


This week's shindig was our last regular show of 2024, with the annual Christmas and Countdown shows poised to kick us through December's final pair of Sundays. With seasonal sides taking over for now (and countdown tracks set to follow), our last regular non-Christmas/non-Countdown spin this year is "Fun At The Beach," a 1979 single by the 'B' Girls. Boys in bikinis! Girls with surfboards! Wait...that's the B-52's. Wrong B-band! Ah well. Surf's up nonetheless.

LISA MYCHOLS: Joy Is In The Giving

We devoted this week's final set to Christmas music. We rarely play Yuletunes outside of our Christmas show, but the Christmas show itself tends to get its stocking overstuffed very quickly, leaving no room at the Inn. We had a few new seasonal sides in need of at least one spin this year, so we grabbed a few rockin' holiday classics and mixed 'em with these pepperminty-fresh Ghosts Of Christmas Present to form this week's closing set.

That set commenced with "Joy Is In The Giving" by Lisa Mychols. It's not a new track--it appeared on the superfestive 2010 compilation album Hi-Fi Christmas Party Volume 3--but this year it's included on The Very Best Of Hi-Fi Christmas Party, which collects some of the brightest stars from that series in one neatly-wrapped package. Sales of this compilation benefit Versiti Blood Research Institute. Quoting from Versiti's mission statement: "From research and diagnostic testing to the sharing of lifesaving gifts, we advance the field of personalized medicine while providing care, comfort and support to our communities. We are blood health innovators who enhance lives through discovery, diagnosis and treatment (specializing in diseases and disorders of blood)."

Worthy music, worthy cause. And worth another spin next week.

MIKE BROWNING: It's The Most Wonderful Time Of The Year

Is it the most wonderful time of the year? Here's hopin'. With this week's closing spin, our pal Mike Browning sets us up for The 26th Annual THIS IS ROCK 'N' ROLL RADIO Christmas Show this coming Sunday night. And we'll hear Mike's rendition of "It's The Most Wonderful Time Of The Year" again at the top of that show. Good cheer provides its own justification. 

We also hope there will be cookies. 

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My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Friday, July 22, 2022

THE GREATEST RECORD EVER MADE: Wounded


Drawn from an entry in my weekly 10 songs series, this piece was prepared for my long-threatened book The Greatest Record Ever Made! (Volume 1). Its inclusion in that project is tentative (even presuming that the book itself goes forward.)

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!

THE COOKIES: Wounded
Written by Philip Margo, Mitchell Margo, Jay Siegel, and Hank Medress
Produced by Bright Tunes Productions
Single, Warner Brothers, 1967

This lesser-known girl-group gem from 1967 is almost a mirror-image of the Shirelles' 1960 classic "Will You Love Me Tomorrow." Where the Shirelles worried about a horndog lover losing respect for the singer the morning after he and she decide to do it--IT!!--the Cookies' "Wounded" presents the sympathetic story of the girl who says no. 

The Cookies are best-remembered for their 1963 hit "Don't Say Nothin' (Bad About My Baby)," and for "Chains," a 1962 single later covered by the Beatles. The Cookies went through varying line-ups, and I think "Wounded" was their final single. The girl group era was well over by '67 (or at least it was over if you weren't the Supremes), but "Wounded" was an incredible record that deserved much, much wider attention and acclaim. Hell, the Supremes' own "Love Child" could be seen as (an unintentional) part of this trilogy of a sexual cautionary tale. 

If you can't please him, you're gonna lose him. If your swine boyfriend really does feel that way, you are better off without him. A knee to his groin upon your departure is optional, but perhaps justified. Fuck him. In the figurative sense.


If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, August 3, 2021

10 SONGS: 8/3/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1088.

THE ANDERSON COUNCIL: I'd Love Just Once To See You

This is our second week in a row spinning the Anderson Council's invigmoratin' cover of the Beach Boys' "I'd Love Just Once To See You," from Jem Records' invigmoratin' various-artists tribute album Jem Records Celebrates Brian Wilson. We've also been programming the Grip Weeds' "You're So Good To Me" and Lisa Mychols and Super 8's "Pet Sounds (Story)" from the same album, with more from Jem Records Celebrates Brian Wilson likely in future weeks.

Of course we play them. It's what we do.

THE BEACH BOYS: Sloop John B

Way back in the early '80s, Bill and Carol Yerger vowed to make me a fan of the Beach Boys. Bill and Carol owned Main Street Records in my college town of Brockport, NY, I bought a ton of stuff there, and I thought they were both pretty high on the list of the best people ever. 

But, their recommendation notwithstanding, I just wasn't much into the Beach Boys at the time. I liked some of the hits, and even owned a copy of Pet Sounds, but my full-on recognition of the group's brilliance was still years away. Carol asked me to name my favorite Beach Boys song; as noted elsewhere, my reply of "Sloop John B" caused her to turn away, muttering, "Who's favorite Beach Boys song is 'Sloop John B'...?!"

That song was why I bought Pet Sounds in the first place. As a freshman in college, 1977-78, the song somehow got into my head something fierce. I was also trying to learn the song for my guitar class (part of my futile effort to try to figure out how to make music).

Anyway. My Beach Boys collection consisted solely of the 2-LP Endless Summer, so I made a beeline for The Record Grove (then managed by Bill Yerger, before he opened his own store the following year) and bought the album. Yeah, even as a perpetually cash-strapped college student, I could occasionally be expected to buy an LP just to get one song. And hey, Pet Sounds also had "Wouldn't It Be Nice," so, y'know, that's two songs! 

The rest? Filler, I guess, though I developed some small interest in the track "Here Today." "God Only Knows" did not even register with me when I was 18; now, it rates a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1). I regard Pet Sounds as one of my favorite albums, and I was delighted to see it performed in concert by Brian Wilson

"Sloop John B" is no longer my favorite Beach Boys song. But it's one of them. One of manyIt took a while, but the Yergers accomplished their goal of making me a Beach Boys fan.

THE COOKIES: Wounded

This lesser-known girl-group gem from 1967 is almost a mirror-image of the Shirelles' 1960 classic "Will You Love Me Tomorrow." Where the Shirelles worried about a horndog lover losing respect for the singer the morning after he and she decide to do it--IT!!--the Cookies' "Wounded" presents the sympathetic story of the girl who says no. The Cookies are best-remembered for their 1963 hit "Don't Say Nothin' (Bad About My Baby)," and for "Chains," a 1962 single later covered by the Beatles. The Cookies went through varying line-ups, and I think "Wounded" was their final single. The girl group era was well over by '67 (or at least it was over if you weren't the Supremes), but "Wounded" was an incredible record that deserved much, much wider attention and acclaim. Hell, the Supremes' own "Love Child" could be seen as (an unintentional) part of this trilogy of a sexual cautionary tale. 

KISS: Anything For My Baby

"Anything For My Baby" comes from KISS's third album Dressed To Kill, the 1975 work that gave an unsuspecting world a li'l sumpin called "Rock And Roll All Nite." You keep on shoutin', you keep on shoutin'. Yeah, that's far and away the biggest thing on Dressed To Kill, the most iconic number in the entire KISS catalog, but I think we've played "Anything For My Baby" a lot more on TIRnRR than we've played "Rock And Roll All Nite." We're funny that way.

And that's not a shot against "Rock And Roll All Nite," a classic which I love and always will love. But not enough stations play "Anything For My Baby." I read somewhere that KISS guitarist Paul Stanley (who wrote the song) largely dismisses it, which would mean I like the song a lot than its author likes the song. I agree with me on this one.

THE LINDA LINDAS: Oh!

New music from the Linda Lindas, the buzz band of 2021. Of course we played it! It's what we do.

CIRCE LINK AND CHRISTIAN NESMITH: I'm On Your Side

Monkee Mania Radio is a new 24-hour Live365 station dedicated to the Monkees. Well, we approve already. MMR curators Alan Williams and Ken Mills are indeed Believers, and while real-world music licensing restrictions prevent them from going All Monkees All The Time, they supplement their mandated limitation of one Monkees track per hour with oodles and oodles of related treats, including solo works by individual Monkees Micky Dolenz, Davy Jones, Peter Tork, and Michael Nesmith, various combinations thereof (including Dolenz, Jones, Boyce and Hart and Tork's Shoe Suede Blues Band), other acts associated with the Monkees, and covers of Monkees songs. Play, Magic Fingers! 

Ken Mills elaborates: "Alan Williams is the main program director and it took a team of folks who just wanted a place to feature THE MONKEES music and culture, the MANIA that surrounds their story and times. We have some great people involved. Jodi Ritzen got involved and we all figured out how to make it a reality. 

"While we always hoped to play as much Monkees music as possible, we are beyond thrilled to play the music of the people who helped create the Monkees, from the songwriters to acts they toured with, and people that are part of the Monkees story and culture. More importantly, to feature the music of David Jones, Peter Tork, Michael Nesmith, and Micky Dolenz as artists beyond the project known as 'The Monkees.' This is when you hear what they are about. In their solo works or in bands they formed, there is a world of music beyond the first five or six Monkees albums that some fans never allowed themselves to explore. That is one of the biggest joys of this project."

And the station received a boon from the great Christian Nesmith, who is allowing Monkee Mania Radio license-free use of his recordings for a year. Hey-HEY! In celebration of Christian Nesmith's kindness, we played Circe Link and Christian Nesmith's "I'm On Your Side," which Christian 'n' Circe were kind enough to allow US to use on our 2017 compilation This Is Rock 'n' Roll Radio, Volume 4, and which was TIRnRR's most-played track in 2017. Here's to you Jodi, Ken, and Alan, Circe and Christian, and Monkee Mania Radio. We're all on your side.

THE MONKEES: For Pete's Sake

And we will make the world shine.

IRENE PEÑA: Don't Hang Up

Another new archival single from Irene Peña, continuing to observe the tenth anniversary of her debut album Nothing To Do With You by releasing each of its tracks as Big Stir Records digital singles, one track at a time. "Don't Hang Up" is the sixth single out of eleven. Of course we played it! It's what we do.

VERDELLE SMITH: Life Goes On

There is so, so much great pop music out there, and few of us know more than a fraction of it. Soul singer Verdelle Smith's "Life Goes On" is an obscure track from 1965, and I'm not even certain if it was the A-side or the B-side (to the also-obscure "Juanito"). Smith's only Top 40 hit (and a minor one at that) was "Tar And Cement" in 1966, and I'd say she's virtually unknown outside of the community of Northern Soul aficionados. But man, "Life Goes On" is a good one! Our thanks to intrepid TIRnRR listener Dave Murray for making us aware of this song's existence. Like life, the hunt for great pop music goes on.

DANNY WILKERSON: You Still Owe Me A Kiss

The above-mentioned Big Stir Records is also partnering with the ever-fab SpyderPop label to reissue Wilkerson, the fantastic 2018 album by the incomparable Danny WilkersonWilkerson includes a stellar track called "Let It Go Tonight," which was among this little mutant radio show's most-played songs in '18. Rightly so! If you somehow missed Wilkerson then, you'll have a fresh opportunity now, thanks to BigSpyder StirPop. And the reissue is heralded with the digital single release of this wonderful Wilkerson track "You Still Owe Me A Kiss."

Of course we played it. It's what we do.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

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I'm on Twitter @CafarelliCarl.