10 SONGS: 12/23/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1316: The 27th Annual THIS IS ROCK 'N' ROLL RADIO Christmas show

THE WEEKLINGS: Gonna Be Christmas

Why, yes! It IS gonna be Christmas! Very soon! Following our standard Christmas show introduction--John and Yoko's "Happy Xmas (War Is Over)"--The 27th Annual THIS IS ROCK 'N' ROLL Christmas show opens with this delightful track from the Weeklings' Christmas album. It's a perfect song to kick off our seasonal celebration, its eyes bright with wonder and its heart open to the promise of possibility. It's gonna be Christmas. Here's a toast and a wish for the best of what that might be.

BLAINE CAMPBELL AND THE CALIFORNIA SOUND: Christmas Day

The annual TIRnRR Christmas shows are built in large part with familiar favorites. We don't want to do the same ol' show every December, but Dana and I do have a few specific tracks we're hell's-jingle-bells bent on programming. We never even come close to accommodating all of the music we wanna play, and this year's holiday playlist (like its 26 predecessors) did not have time to include a number of our perennial picks. Santa understands our dilemma, and he does not assign us naughty points for our omissions.

As berths on the playlist fill up faster'n a little kid's Christmas wish list, we still try to squeeze in a little bit of new Yuletunes alongside our beloved classics. We debuted 2025 offerings by Perilous, Jamie Hoover, and the Krayolas on last week's show, and saved this gem from Blaine Campbell and the California Sound's recent Holidays EP for this week. 

QUINT: Almost Christmas Eve

I'm not much of a Hallmark-style Christmas TV movie fan, but I recognize the sweet sugar-cookie comfort appeal of those flicks, and more power to those who celebrate. Love at Christmas? Can't fault that.

Before my mom passed in 2021, I used to catch extended glimpses of some works within this ho-ho-Hallmark genre playing in the common room at her nursing home. I think the only one I've ever deliberately watched in its entirety is 2021's Blending Christmas, which I made a point of seeing because TIRnRR's long-time friend Robbie Rist is in it (as are some of his former castmates from The Brady Bunch). I didn't get around to seeing Blending Christmas until well after he fact--I don't think I was aware of its existence until last year--but it was inoffensive and agreeable, and there's nothing wrong with that.

For the TIRnRR Christmas shows, the Hallmark and Company movie music content comes from Beaus Of Holly, a 2020 production with soundtrack contributions by Quint, which is our Robbie with film director Anthony C. Ferrante. Some years we play "Bows Of Holly," the de facto title theme as performed by Quint with guest vocalist Karen Bassett. Sometimes we go with "Almost Christmas Eve." Can't go wrong either way, and you can stuff your own virtual stocking with digital copies of both songs on the Quint collection Yes, It's Christmas. 

Warmth and comfort. Love for Christmas. Meet cute. I refuse to summon snark against anything that brings joy to the world. 

ELVIS PRESLEY: Santa Claus Is Back In Town

King Elvis I. Repeating what I've said in previous years: It's not Christmas without the King.

DARLENE LOVE: Christmas (Baby Please Come Home)

One long-ago holiday season, back when our pal (and Radio Deer Camp host) Rich Firestone was slavin' away in commercial radio, a clueless suit once told him that nobody wants to hear anything from Phil Spector's Christmas album A Christmas Gift For You. See, that guy's getting coal for Christmas. The late Spector himself is also getting coal; in fact he's probably helping to produce the (literally) damned coal nowadays--warm and toasty!--but I digress. 

We endeavor to include a track from Spector's Christmas album in each year's TIRnRR Xmas Xtravaganza. The picks vary from year to year; last year and the year before, it was the Ronettes' "Frosty The Snowman," and in 2022 it was the Ronettes' "Sleigh Ride." We've skipped some years, but A Christmas Gift For You is always in the mix as we consider what to play on our Christmas show.

The above-mentioned "Sleigh Ride" is the track I most remember hearing on December AM radio airwaves when I was younger, and it's a fabulous number indeed. But the truest classic on the Spector Christmas album is Darlene Love's "Christmas (Baby Please Come Home)," and it was way overdue for a return to our playlist. This year, it finally comes back home.

SLADE: Merry Xmas Everybody

Slade's 1973 we're-gonna-have-a-GLITTERY-Christmas treat "Merry Xmas Everybody" was a huge, huge hit in the band's native England, but it's merely something of a cult fave rave on these shores. Pity, because I've absolutely adored it since first hearing it on a various-artists Christmas collection more than a decade later.

Does your Granny always tell you that the old songs are the best? Then she's up and rock 'n' rolling with the rest

Old and new. As the philosopher Linus once told his friend Charlie: That's what Christmas is all about.

LIBRARIANS WITH HICKEYS: Listen The Snow Is Falling

The Greatest Record Ever Made!

THE MONKEES: House Of Broken Gingerbread

Last week, for the first time in a long time, I listened to the Monkees' 2018 album Christmas Party. At the time of the album's release, I was disappointed--very disappointed--that the Monkees were following up the sheer triumph of their 2016 album Good Times! with a Christmas record rather than, y'know, a real record. This disappointment grew three sizes when the subsequent deaths of Peter Tork and Michael Nesmith meant that Christmas Party would be the final Monkees studio album.

The playlist for this year's Christmas show was already set, and the show itself already recorded, before I listened to The Spoon podcast's 2025 Christmas show. The Spoon, hosted by that Robbie Rist guy with his buds Chris Jackson and Thom Bowers, is always a must-listen event, and their holiday presentation this year includes a track from Christmas Party, as Michael Nesmith croons "The Christmas Song." Papa Nez wasn't exactly Nat King Cole, nor did he wish to be, but his rendition is warm and inviting. I didn't hate it.

That was sufficient impetus for me to spin the whole album again, half of it during my Saturday morning commute, the rest of it when I arrived at work. It's a better record than my knee-jerk resistance to it would have conceded at the time of release. Micky Dolenz has always been one of my favorite pop singers, and he acquits himself well here, even on a palatable version of Paul McCartney's "Wonderful Dishwatertime," or whatever we wanna call that awful Macca song I've despised for decades. Mostly produced by the late Adam Schlesinger, Christmas Party is almost a Dolenz solo album, with two independent contributions from Nesmith, two archival tracks by Davy Jones (whom we lost in 2012), and a heavily-autotuned solo vocal and banjo performance by a very fragile-sounding Tork on "Angels We Have Heard On High;" cancer claimed Tork in February of 2019, mere months after Christmas Party came out.

As noted above, our Christmas show was wrapped 'n' ready before I heard Michael Nesmith on The Spoon extolling the virtues of chestnuts roasting on an open fire, before my re-listen to Christmas Party. The Christmas Party track "House Of Broken Gingerbread" made its way to our playlist on its own virtue and vice and everything nice. Co-written by Adam Schlesinger and novelist Michael Chabon, "House Of Broken Gingerbread" is sung from the POV of a child of divorce, spending part-time holidays at the separate households of his estranged parents. Perhaps not the stuff from which traditional Christmas cards were crafted. Dolenz sings it so well, so commandingly, applying a candy-cane coating that does not conceal its underlying ache and discontent.

(The Monkees have appeared in some form on most of our 27 annual Christmas shows. Our usual go-to Christmas Monkees track is the simply gorgeous a cappella "Riu Chiu" from 1967 [discussed here], but we occasionally play "House Of Gingerbread" instead. This year, I was thinking of subbing "Christmas Is My Time Of Year," a 1976 single by Dolenz, Jones, and Tork, but as I was mulling song choices, Micky's insistent Fa la LA la la la-la-laaaaa from "House Of Broken Gingerbread" stage-dived into the visions of sugarplums that had been dancing in my head, causing 'em to flee for their lives. So: "House Of Broken Gingerbread" got the slot. Fa la LA...!)

THE RAMONES: Merry Christmas (I Don't Want To Fight Tonight)

Seems like a worthy goal.

THE IDEA: It's About That Time

John and Yoko at the top. George Harrison's "Ding Dong, Ding Dong" at or near the end. In between, our Christmas show perennials generally include "The Man In The Santa Suit" by Fountains Of Wayne, "Purple Snowflakes" by Marvin Gaye, "Gonna Ask Santa Claus" by Bibi Farber with the Michael Lynch Orchestra, "Jesus Christ" by Big Star, "Christmas" by the Rooks, "I Don't Intend To Spend Christmas Without You" by Margo Guryan, "2000 Miles" by the Pretenders, usually "Father Christmas" by the Kinks, usually something by James Brown, the Waitresses' "Christmas Wrapping" when we can carve out enough space for it. Other than the Beatles' Christmas messages 1963-1969, no individual track has been played on all 27 of our annual Christmas shows.

The Idea's "It's About That Time" has been on most of them. It's my # 1 all-time favorite Christmas track, and it's not Christmas for me if I can't play it.

It's about that time. Gather 'round the Christmas tree, or just around the artifact of your choice. "Happy Holidays!" remains one of many valid and welcome expressions of well wishes, and these trying times are in dire need of as many well wishes as we can generate. Peace on Earth. Good will toward all. It should always be about that time. We wish you the merriest.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 11/4/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1101.

DOLPH CHANEY: This Halloween

Even though this week's show fell on October 31st, I wasn't all that interested in playing many Halloween songs. I'm not opposed to Halloween at all, but nowadays I'm largely (and benignly) indifferent to its celebration. I buy candy to give out to the few kids who ring my doorbell, and I do still dig that part of Halloween; but, with one exception (which we'll get to in a couple of paragraphs), I didn't care to program much in the way of All Hallows' Eve tunes this year. There would be no Monster Mashing in this show.

However, we certainly couldn't pass up an opportunity to play a new gem from TIRnRR hitmaker Dolph Chaney. Dolph's new Big Stir Records digital single "This Halloween" was the precise no-trick treat we needed to kick off a quick three-song half-set of Halloween songs. And that led into the one Halloween track I will never, ever tire of hearing....

BARON DAEMON AND THE VAMPIRES: The Transylvania Twist

The Greatest Record Ever Made! Grab a hold of your baby, and hold her tight.

SCREAMIN' JAY HAWKINS: I Put A Spell On You

Other than the above classic by the Baron and his Bloody Buddies, there aren't a lot of songs I'm moved to play for Halloween. I could make a case for the Lollipop Shoppe's incredible '60s side "You Must Be A Witch," or Tegan and Sara's irresistible "Walking With A Ghost," and I guess a number of tracks by KISS or Alice Cooper would qualify by default. There are a few other viable choices, but I've gotta give it up for Dana's selection of "I Put A Spell On You" by the maniacal Screamin' Jay Hawkins. Man, this is great stuff, and it's a track I don't think I've appreciated as much as I shoulda in previous spins. Something about it clicked for me this year like never before. Because you're MINE...! BWAAH-HA-HA-HAAAA! 

THE COCKTAIL SLIPPERS: Hush

One Sunday a few weeks back, two shows here on the mighty SPARK! Syracuse--This Is Rock 'n' Roll Radio and Rich Firestone's Radio Deer Camp (the latter heard every Sunday from 5 to 7 pm Eastern at your familiar http://sparksyracuse.org/)--both played different tracks from the Cocktail Slippers' new album Shout It Out Loud!  TIRnRR opted for "Be The One," and Reechie played the group's cover of the Billy Joe Royal/Deep Purple perennial "Hush." This week, we got around to playin "Hush." Your move, Reechie!

(Or not. Rich programs his show just fine without our input.)

LEE HARRINGTON AND LYNDA MANDOLIN: Sweet Child

Generally speaking, any Red On Red Records single is pretty damned likely to get at least one spin on TIRnRR. Among the label's releases so far, just about all of them have been prime examples of radio-ready rockin' pop, and the only reason we don't play more of them more often is because we only have a three-hour radio show. I'm thinking we should do a Red On Red feature on some future show, similar to a Big Stir Records feature we did earlier this year, and I'm waiting for one specific Red On Red release before we look into doing that. In the mean time: MORE RED ON RED! Lee Harrington and Lynda Mandolin's "Sweet Child" maintains Red On Red's above-cited string o' radio-ready reliables, and so does a new single by the Chelsea Curve that we'll be hearing on next week's show. We're all ready for more Red On Red.

KID GULLIVER: You'll Never Know

Speaking of Red On Red, Kid Gulliver's Kismet was the label's first full-length album release, and (I think) the first Red On Red physical media product. HuzZAH! Of course I bought it; I'm a fan! We've played a number of Kismet's tracks as digital singles--"Forget About Him" has earned particular distinction as an all-time TIRnRR Fave Rave--and now we add "You'll Never Know" to our Kid Gulliver parade of hits.

THE MONKEES: Love To Love

In 1967, when the members of the Monkees tried to assert some measure of control and/or participation in the making of records that bore their brand name, golden-eared (but shortsighted) musical supervisor Don Kirshner resisted the change. Seeking to maintain his preferred status quo, Kirshner snuck Davy Jones into the studio to record lead vocals for a trio of tracks prepared the old-fashioned way: Kirshner-controlled, with the Monkees only singing and never frickin' playing, ever. Two of the tracks, "A Little Bit Me, A Little Bit You" and "She Hangs Out," were issued as a single in Canada, an action that infuriated higher-ups in the Monkee machinery and resulted in Kirshner being shown the door into summer instead.

The Canadian single was withdrawn, and "A Little Bit Me, A Little Bit You" was issued as a U.S. 45, paired with a track sung and played by the Monkees, a Michael Nesmith song called "The Girl I Knew Somewhere." The Monkees later remade "She Hangs Out" for their album Pisces, Aquarius, Capricorn & Jones, Ltd. 

"Love To Love" was the third of those three final Kirshner tracks, and it remained in the vault for more than a decade. It first surfaced (in lo-fi form) on an Australian compilation called Monkeemania around 1979, and it was subsequently exhumed by Rhino Records in better-sounding state for some Monkees repackages. Like "A Little Bit Me, A Little Bit You," and like earlier Monkees releases "I'm A Believer" and "(Look Out) Here Comes Tomorrow," "Love To Love" was written by Neil Diamond. It was remixed and tweaked (with new backing vocals by Micky Dolenz and Peter Tork) for the Monkees' triumphant 2016 album Good Times! No offense to "I'm A Believer," but "Love To Love" is my favorite Monkees performance of a Neil Diamond song, and possibly my single favorite Davy Jones vocal.  

MANDY MOORE: I Could Break Your Heart Any Day Of The Week

Although my daughter was a Radio Disney listener in the Y2K decade, and I heard my share of Britney Spears and the like because of that, I completely missed Mandy Moore's teen pop offerings. Which is just as well, since it turned out that I didn't like 'em anyway. I do recall sampling (and buying) Moore's versions of XTC's "Senses Working Overtime" and Joan Armatrading's "Drop The Pilot," prompted by my friend John Borack's recommendation of her 2003 covers album Coverage. The production on Coverage is too slick for my taste, but Moore's performances are good, and you can see some stripped-down live performances on YouTube that provide a better showcase of her talent (and a glimpse of what the album could have been).

Her 2009 album Amanda Leigh gave us "I Could Break Your Heart Any Day Of The Week," a perfect pop song co-written by Moore and the Candy Butchers' Mike Viola (the voice of the Wonders!). My wife and I recently started watching the TV series This Is Us for the first time, bingeing episodes from the first and second seasons (and counting); Moore is one of the ensemble drama's co-stars, and that was sufficient motivation for "I Could Break Your Heart Any Day Of The Week" to make its return to the TIRnRR playlist.

QUINT: Good Morning London

We're gonna need a bigger boat. Our pal Robbie Rist didn't realize we've played his ace British punk pastiche "Good Morning London" a time or three on TIRnRR. But we have, and rightly so. Recorded under the nom du chomp Quint for the epic Sharknado film franchise, "Good Morning London" is...well, I was gonna say it's Jawsome, but that would be beneath even my lenient humor standards. Nonetheless, the song fits (wait for it!) swimmingly with whatever the hell it is we do on this show, so of course we played it again. Can't resist a sequel, right?

MILLIE SMALL: Killer Joe

Like "The Transylvania Twist," the great Millie Small's "My Boy Lollipop" is slated for individual attention in my long-threatened book The Greatest Record Ever Made! (Volume 1). In prepping to write that chapter, I figured I oughtta immerse myself in a little more of Small's work, so I snagged a nice 2-CD set called The Best Of Millie Small. One of its highlights is our Millie's take on the Rocky Fellers's "Killer Joe," flipping the gender POV from the original's fretting about his girl Marie dancing with that lothario Killer Joe to Millie Small lamenting as her guy Joe trips the light fantastic with that tramp Marie. It's Roshomon with a beat! Listen, kids: just ditch faithless Joe and Marie, and try a dance with each other instead. Hmmm. Wonder if Marie's boy might be named "Lollipop."

TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

I'm on Twitter @CafarelliCarl.

10 SONGS: 12/22/2020

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for The 22nd Annual This Is Rock 'n' Roll Radio Christmas Show.

JOHN AND YOKO: Happy Xmas (War Is Over)

John Lennon and Yoko Ono's "Happy Xmas (War Is Over)" was my favorite rock 'n' roll Christmas song for a long, long time, and it's still probably my all-time # 3 (and yes, the two that surpassed it will appear in the paragraphs below). I know that some folks don't like it or are sick of it, and that some even prefer that dishwater Paul McCartney thing (aka "The Cringe That Stole Christmas") when 'tis the season. 

I don't get that. Dig what you dig, of course, but man...I don't get that. To my ears, John and Yoko's Christmas single remains a stirring and engaging plea for peace on Earth, good will toward all. An obvious sentiment? I'm not looking for Proust here. "Happy Xmas" supplies the feels I want in my holiday music, its childlike hope (and children's chorus) never falling prey to the cynical or the overly earnest. It added an aching sense of melancholy forty years ago this month. But I never get tired of hearing it.

I'm not one of those who blithely bash Paul McCartney, either. Seeing Macca perform live in 2017 was the highlight of my concert-goin' career, I listen to solo Paul more often than I listen to solo John, and they were equal partners in the greatest rock 'n' roll band this world will ever experience. Nonetheless: I can't stand "Wonderful Christmastime." I absolutely adore "Happy Xmas (War Is Over)."

LAURIE BIAGINI: Can't Wait For Christmas

It has been way, way too long since the last time we heard Laurie Biagini on TIRnRR. We love Laurie's music, and her absence from recent playlists is the result of a three-hour weekly gig flyin' by before Dana and I even realize what we want to play. We'd make this a daily show if we weren't pretty sure the effort would kill us. One of my many goals for 2021 is to play some more Laurie Biagini on a few upcoming Sunday nights in Syracuse.

In the mean time, we return to Laurie's boppin' li'l holiday record "Can't Wait For Christmas," a lovely seasonal side that employs her Beach Boys-bred pop sensibility in delighted and delightful eagerness for the joy and wonder that awaits.  

THE DECIBELS: Christmas Wish

We missed the boat last year with A Kool Kat Kristmas Vol. 3, a fab 2019 compilation that we somehow didn't get around to hearing until after the Christmas show had aired. It's a terrific collection, and this track by The Decibels is one of many highlights. Can't go wrong with The Decibels!

BIBI FARBER AND THE MICHAEL LYNCH ORCHESTRA: Gonna Ask Santa Claus

My favorite pop-rock Christmas song of this young century so far, and my second favorite all-time. (We'll talk about my # 1 pick in just a sec.) This track is magic, and I mean it as a compliment when I say it sounds like something of a much older vintage, classic '50s or '60s rather than 2013. It's never been issued on CD. Somebody should remedy that.

RICHARD X. HEYMAN: I Can't Wait

Anticipation. I remember tossing and turning through the endless hours leading up to Christmas morning, finally bounding out of bed at an unholy and unlit early hour on the 25th to see what Santa had brought me. And yes, I remember all of this because it was just last year. Duh. Richard X. Heyman also remembers, and he expresses that sensation with effervescent eloquence in "I Can't Wait."

THE IDEA: It's About That Time

I can't fully explain why I love this song so much. Oh! I know! Because it's perfect. Perfect blend of giddy abandon and cool control, perfect embrace of December joy, perfect use of casual holiday elements--streets painted white, windows aglow with colored lights, on the TV It's A Wonderful Life--to craft a perfect Yuletune like no other. Yuletunes is the name of the 1991 Christmas compilation that gave us "It's About That Time" by The Idea (later Phil Angotti and the Idea), and it remains one of the all-time greatest Christmas albums. "It's About That Time" will likely always be my all-time favorite rockin' pop Christmas songs. Perfect.

THE MONKEES: Riu Chiu

In 1967, The Monkees did a live a cappella rendition of the 16th century Spanish song "Riu Chiu" in the Christmas episode of their TV series. The performance is riveting, and it should be used as a blunt instrument to strike any knuckleheaded pundit who still clings to the fiction that The Monkees were a talentless group of hacks. You, sir, are getting coal again this year. The Monkees' "Riu Chiu" will be the subject of this week's video rant in my YouTube series The Greatest Record Ever Made!

QUINT [featuring KAREN BASSET]: Bows Of Holly

Yes, it's a Sharknado Christmas! Sort of. "Bows Of Holly" comes to us courtesy of our pal Robbie Rist, who is one-half (with Anthony C. Ferrante) of Quint. Ferrante directed the Sharknado films, cinematic milestones that have employed a Quint track or two in their time. 

If it seems like something of a long shark-jump to get from Sharknado to bows of holly, well, chalk it up to visions of sugarchum: Ferrante's also the director of Beaus Of Holly, a holiday rom-com that debuted this month on ION Television. Movies need a soundtrack like shark-hunters need a bigger boat, so our lads Quint made with the seasonal sounds. And they recruited former Pandoras drummer (and TIRnRR Fave Rave) Karen Basset to sing lead on the homophonic title theme "Bows Of Holly." Jaws to the world!

THE SOUL STIRRERS: Christmas Means Love

We mistakenly identified this on-air as a track by the late, great Sam Cooke. It is not Sam Cooke, but it is Cooke's former group The Soul Stirrers. Oops. See, this is what we get for believing things read on the internet.

GEORGE HARRISON: Ding Dong, Ding Dong

Ring out the old, ring in the new. DEAL! Where do I sign...?!

TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1). My weekly Greatest Record Ever Made! video rants can be seen in my GREM! YouTube playlist. And I'm on Twitter @CafarelliCarl.